Newsletters from Groundwood Books for Educators, Librarians, and Parents

My friends at Groundwood Books, a marvelous publishing house based in Canada, have a new program that I'd like to tell you about. The Groundwood Newsletters are designed to provide educators, librarians, and parents with strategies, tips and information to accompany fiction and non-fiction Groundwood books. 

Each newsletter is centered on a single topic, theme or genre with a list of recommended titles that will encourage young readers to explore and engage with the theme. The series will include lots of great resources such as reading, writing, arts and media responses; a spotlight feature on a Groundwood author/illustrator; a curated book list with brief annotations; and additional links to the Groundwood website for more book information and/or teacher guides. They are written specifically for teachers by a well-known academic and children’s lit specialist.  The series of five newsletters will be distributed once a month but late subscribers will have access to any of the newsletters already delivered.

The theme for the January Newsletter was Exploring Acceptance, Belonging, and Community through Picture Books. The Groundwood picture book titles featured in the newsletter focused on such matters as race and ethnicity, gender identity, the immigrant experience and bullying. When listening to these

books being read aloud, or when reading these books independently, students can be inspired to

confront intolerance and foster a sense of inclusion. In this way, the titles encourage students to

think about acceptance, belonging and community. 

You can sign up for the newsletters HERE
 

The 2021 Caldecott Award Winning Picture Book - Watercress

When I was six years old my parents and I, along with my aunt, some friends, and our pets, left the only home I had ever known. A civil war had been raging in the country where I was born and we had no choice but to leave. We left behind our house, most of what we owned, many of our friends, and the graves of loved ones who had been killed in the conflict. Even now, all these years later, the clouds of my refugee and immigrant memories still drift across my sky once in a while. 

The book I am reviewing today won the prestigious Caldecott Award on January the twenty-fourth of this year. It is a powerful and beautifully illustrated story about a child whose parents had to leave their homeland when their lives there became unbearable. She feels no connection with her parents' homeland, and she does not know their story until the day when the past reaches into the present. 

Watercress

Andrea Wang

Illustrated by Jason Chin

Picture Book

For ages 5 and up

Holiday House, 2021, 978-0823446247

One day an old, faded car containing a girl and her family is driving down a dirt road that is lined with rows of corn. Between the edge of the road and the corn fields there is a ditch full of water. The mother has “eyes as sharp as the tip of a dragon’s claw,” and she sees something in the ditch. She calls out and her husband slams on the brakes. 

   Wild watercress is growing in the ditch and soon the girl, her brother, and their parents are in the ditch. With rolled up trousers and bare feet they walk through the cold water, mud squishing between their toes, cutting the watercress. When a car drives by the girl hides her face, ashamed of what they are doing. American people would never gather watercress in a ditch, but the girl’s parents were born in China, and for them being able to collect watercress to eat connects them to their homeland and their past.

   Back at home the girl refuses to eat the watercress that her mother serves with dinner. As far as she is concerned eating free food is just as shameful as wearing hand-me-down clothes, and taking furniture that other people have thrown away on the side of the road. 

   Then the girl’s mother brings out a photograph to show her daughter. It is portrait of the mother with her parents and her little brother. She begins to tell the story of her family, a story that is threaded with pained and loss.

   All over there world people leave their homelands to start new lives elsewhere, driven away by war, famine, persecution, or a natural disaster. This story is based on an event that took place in the author’s life. When she was a child her Chinese immigrant parents collected watercress from a roadside ditch, and their behavior only reinforced for her that she was different. Being different can be hard for children, and they often fervently wish that they could be like everyone else and fit in.

   With great sensitivity and gentle touches of emotion, the author tells a story that is dear to her heart. It is a story that will resonate with anyone who has felt as if they don’t belong, and it is also a tender tribute to all those families who have had to start over in a new place or foreign land. 

   Jason Chin’s art perfectly complements Andrea’s lyrical text. His watercolors bring together the traditions of western and Chinese art, beautifully connecting the past with the present. 

The new television series of Around the World in Eighty Days

 This February the BBC and Masterpiece released a new television series that is loosely based on the story in Jules Verne's Around the World in Eighty Days. The story has been changed a fair bit, but I have to say that it is very entertaining, and is beautifully made. I am enjoying the series a great deal, accepting that this is an adaptation of Jules Verne's tale. If you are a purist and only watch films that are faithful to the books that inspired them, then this series will probably not suit you. 

Did anyone try to go around the world in eighty days?

 

In Jules Vern's book, Around the World in Eighty Days, the heroes in the story are men. The book was first published in French in 1872, and at this time adventure stories did not have female heroes; it simply wasn't done. 

The story caused quite a stir, and I would have thought that many gentleman adventurers would have tried to duplicate the journey taken in the book. I cannot find a record anywhere of a single man doing so. Not a one. Really, did none of the gentleman adventurers of the time read books? Did none of them have even a soupcon of imagination or derring-do? 

Apparently not. It wasn't until 1889 when someone took on the challenge. A woman called Nellie Bly undertook to travel around the world in eighty days for her newspaper, the New York World. She managed to do the journey within seventy-two days, and she met Jules Verne in Amiens in France. Her book Around the World in Seventy-Two Days became a best seller. Who was this remarkable woman?

Nellie Bly was born Elizabeth Jane Cochran on May 5, 1864. Her family owned a lucrative mill in
Cochran, Pennsylvania. At the age of six, Bly lost her father. Unable to maintain the land or their house, the family moved. Her mother also remarried but later divorced due to abuse. While attending Indiana Teacher’s College, Elizabeth added an “e” to her last name becoming Elizabeth Jane Cochrane. Due to the family’s financial crisis she was unable to finish her education. No longer in school, Bly focused on helping her mother run a boardinghouse. One day an upset Bly decided to pen an open letter to the editor of the Pittsburgh Dispatch. Her short but important piece pointed out the paper’s negative representation of women. The editor not only read Bly’s response, he printed her rebuttal, and offered Bly a job as columnist. As a newspaper writer, she took the pen name Nellie Bly. Although Bly was a popular columnist, she was often asked to write pieces that only addressed women.

Wanting to write pieces that addressed both men and women, Bly began looking for a paper that would allow her to write more serious work. In 1886, she moved to New York City. As a woman, Bly found it extremely hard for her to find work. In 1887, Nellie Bly stormed into the office of the New York World, one of the leading newspapers in the country. She expressed interest in writing a story on the immigrant experience in the United States. Although, the editor declined her story, he challenged Bly to investigate one of New York’s most notorious mental hospitals. Bly not only accepted the challenge, she decided to feign mental illness to gain admission and expose how patients were treated. With this courageous and bold act Bly cemented her legacy as one of the foremost female journalists in history. 

Nellie wearing her travel outfit. 

After pretending to be mentally ill for ten days, the New York World published Bly’s articles about her time in the insane asylum on Blackwell’s Island in a six-part series. Ten Days in a Mad-House quickly made Bly one of the most famous journalists in the United States. Furthermore, her hands-on approach to stories developed into a practice now called investigative journalism. Bly’s successful career reached new heights when she decided to travel around the world after reading the popular book Around the World in 80 Days. Her trip only took seventy-two days, which was a world record. Bly would only hold it for a few months.

In 1895, Bly married millionaire Robert Seamen and retired from journalism. Bly’s husband died in 1903 leaving her in control of a massive manufacturing company. In business, her curiosity and independent spirit flourished. Bly went on to patent several inventions related to oil manufacturing, many of which are still used today. In her later years Bly returned to journalism, covering the woman suffrage movement and World War I. While still working as a writer Bly died from pneumonia on January 27, 1922.

I have reviewed several books for young readers about Nellie Bly, which you can find in the TTLG library. 

A BBC Radio Theatre Production of Around the World in Eighty Days

When I was growing up my parents used to listen to the BBC World Service throughout the day. They were journalists and at that time the BBC provided the most up to date news from around the world. I grew heartily sick of the introduction music for the news programs, and heartily sick of listening to the news every five minutes, or so it seemed to me. Being the child of not one but two journalists had its disadvantages. 

In addition to the news, the BBC had many other programs, and one of the things I enjoyed the most were their radio theater productions. These programs were more than just audiobooks; the story was told using multiple voice actors, background sounds, and music. I listened to many stories this way, including A Hitchhikers Guide to the Galaxy, Wind in the Willows, and Around the World in Eighty Days. You can still find these recordings online, and today I bring you the excellent BBC production of Around the World in Eighty Days. Please click on the image above to get to the recording. You can listen to the program on any device that can access YouTube. Enjoy!

Happy Birthday Jules Verne, the author of Around the world in Eighty Days.

 

Jules Verne was a 19th-century French author who is famed for such revolutionary science-fiction novels such as 'Around the World in Eighty Days' and 'Twenty Thousand Leagues Under the Sea.'
   Jules Verne hit his stride as a writer after meeting Pierre-Jules Hetzel, a publisher who nurtured many of the works that would comprise the author's Voyages Extraordinaires. Often referred to as the "Father of Science Fiction," Verne wrote books about a variety of innovations and technological advancements years before they were practical realities. Although he died in 1905, his works continued to be published well after his death, and he became the second most translated author in the world.
   Verne was born on February 8, 1828, in Nantes, France, a busy maritime port city. There, Verne was exposed to vessels departing and arriving, sparking his imagination for travel and adventure. While attending boarding school, he began to write short stories and poetry. Afterward, his father, a lawyer, sent his oldest son to Paris to study law.

   While he tended to his studies, Verne found himself attracted to literature and the theater. He began frequenting Paris' famed literary salons, and befriended a group of artists and writers that included Alexandre Dumas and his son. After earning his law degree in 1849, Verne remained in Paris to indulge his artistic leanings. 

   Verne continued to write despite pressure from his father to resume his law career, and the tension came to a head in 1852, when Verne refused his father's offer to open a law practice in Nantes. The aspiring writer instead took a meager-paying job as secretary of the Théâtre-Lyrique.

   In 1856, Verne met and fell in love with Honorine de Viane, a young widow with two daughters. They married in 1857, and, realizing he needed a stronger financial foundation, Verne began working as a stockbroker. However, he refused to abandon his writing career, and that year he also published his first book, The 1857 Salon.

   In 1859, Verne and his wife embarked on the first of approximately 20 trips to the British Isles. The journey made a strong impression on Verne, inspiring him to pen Backwards to Britain, although the novel wouldn't be published until well after his death. In 1861, the couple's only child, Michel Jean Pierre Verne, was born.

   Verne's literary career had failed to gain traction to that point, but his luck would change with his introduction to editor and publisher Hetzel in 1862. Verne was working on a novel that imbued a heavy dose of scientific research into an adventure narrative, and in Hetzel he found a champion for his developing style. In 1863, Hertzel published Five Weeks in a Balloon, the first of a series of adventure novels by Verne that would comprise his Voyages Extraordinaires. Verne subsequently signed a contract in which he would submit new works every year to the publisher, most of which would be serialized in Hetzel's Magasin d'Éducation et de Récréation. 

   In 1864, Hetzel published The Adventures of Captain Hatteras and Journey to the Center of the Earth. In 1865 Verne was back in print with From the Earth to the Moon and In Search of the Castaways.

   Inspired by his love of travel and adventure, Verne soon bought a ship, and he and his wife spent a good deal of time sailing the seas. Verne's own adventures sailing to various ports, from the British Isles to the Mediterranean, provided plentiful fodder for his short stories and novels. In 1867, Hetzel published Verne's Illustrated Geography of France and Her Colonies, and that year Verne also traveled with his brother to the United States. He only stayed a week — managing a trip up the Hudson River to Albany, then on to Niagara Falls — but his visit to America made a lasting impact and was reflected in later works.

   In 1869 and 1870, Hetzel published Verne’s Twenty Thousand Leagues under the Sea, Around the Moon, and Discovery of the Earth. By this point, Verne's works were being translated into English, and he could comfortably live on his writing.

   Beginning in late 1872, the serialized version of Verne's famed Around the World in Eighty Days first appeared in print. The story of Phileas Fogg and Jean Passepartout takes readers on an adventurous global tour at a time when travel was becoming easier and alluring. In the century plus since its original debut, the work has been adapted for the theater, radio, television and film, including the classic 1956 version starring David Niven. A new serialized television series of the story was recently made, and I'm enjoying watching it. 

   In all, Verne authored more than 60 books (most notably the 54 novels comprising the Voyages Extraordinaires), as well as dozens of plays, short stories and librettos. He conjured hundreds of memorable characters and imagined countless innovations years before their time, including the submarine, space travel, terrestrial flight and deep-sea exploration.

   His works of imagination, and the innovations and inventions contained within, have appeared in countless forms, from motion pictures to the stage, to television. Often referred to as the "Father of Science Fiction," Verne is the second most translated writer of all time (behind Agatha Christie), and his musings on scientific endeavors have sparked the imaginations of writers, scientists and inventors for over a century.

Let us dare to enter a world full of Wonder

 

In 1993 I started writing a children’s book, and in an effort to better educate myself about the craft I attended a Society for Children’s Book Authors and Illustrators conference in New York City. One of the speakers, a renowned children’s book author, impressed on her audience that one of the most important things that an author must do is to “read, read, read.” I read. Many of the books that I ‘studied’ were ones that I had not read as a child and these included, The Rescuers, Miss Hickory, Stuart Little, The Same Stuff as Stars, and many more. Others were books that I knew well, but had not read in years.

All this reading caused me to catch the Children’s Literature Bug, and as a result I became a children’s book reviewer. In the late 1990s I created Through the Looking Glass Children’s Book Reviews (TTLG), an online journal that showcased children’s books of all kinds. To date the online library contains 9,621 reviews. My goal was to help adults to find captivating books for the children in their lives that would encourage the children to become lifelong readers and learners.

In the fall of 2021 I decided that I would shift this focus a bit. I will continue to review books that I hope will capture the interest of young readers. Perhaps one of the books I review will turn them into bibliophiles; one can hope. In addition, I will be reviewing and exploring children's literature that will appeal to adult readers.

Over the years I have learned that children’s literature has a lot to offer adults. The language one finds in children’s books can be so rich and so exquisite that at times it can quite take your breath away. Themes are explored in ways that force adult readers to re-examine their own beliefs and perceptions. Simple truths that we have forgotten are suddenly brought to the fore, and when we look at the world we start to see things in a new light. Here is an article that I think beautifully explores why adults should read children's literature.

I believe that adults need children’s literature more than ever, to counter the struggles and darkness that often overlays our lives. I invite you to set aside your “I am too old for this” ideas and give yourself permission to read children’s literature.

Happy Birthday, Norman Rockwell

 

I did not grow up with Norman Rockwell's artwork the way so many of Americans did; his art did not make its way to the Middle East. Then, when I was in my teens, my American grandmother sent us a lovely book full of his artwork, and I often looked through it; I had never seen art like that before. 

In 2018 my husband and I flew out to Rhode Island to take our daughter to her university orientation. We took a few days to explore the area, and one of the places we visited was the National Museum of Illustration in Newport. There I got to view some Norman Rockwell paintings 'in person' for the first time. It was timely because we also went to visit Wendell Minor who illustrated the book I have reviewed below. Brian and I had a wonderful visit with Wendel and his wife Florence, and got to visit his studio, where the artwork in this book was created. 

Hi, I’m Norman: The Story of American Illustrator Norman Rockwell 

Robert Burleigh

Illustrated by Wendell Minor

Nonfiction Picture Book

For ages 5 to 7

Simon and Schuster, 2019, 978-1-4424-9670-5

Long before Norman Rockwell was a famous illustrator, he was a child who didn’t play ball very well, a child who could not jump over three orange crates like his big brother did. What Norman could do, even then, was to draw really well. The children in his neighborhood would ask Norman to draw them a picture, and so he would. With pieces of chalk, he would draw something marvelous on the sidewalk, which would delight his friends. 

   Drawing was in Norman’s blood, which meant that he didn’t always find it easy to pay attention in class when he was in school. You would think that a person who loves to draw so much, and who was so good at it, would find art school easy, but he didn’t. It turned out that Norman had a lot to learn, and he had to accept his teachers’ criticisms with humility and equanimity. He “listened, learned, and got better and better,” working hard at his craft.

   Out in the “real world” Norman took every illustration job he could find. He needed the work to pay the bills, and he needed the practice. As he created illustrations for booklets, textbooks, and a children’s book, he felt that he was chasing his “dream of becoming a great artist,” but he was also “being chased by the fear” that he wasn’t “good enough.”

   At the age of twenty-two Norman decided that it was time to see if he had what it took to be an illustrator for the Saturday Evening Post. This publication was the most popular magazine in the United States at that time, and every week there was an illustrated “picture-story” on the cover. Norman took five of his illustrations to the magazine’s editor and was floored when the man said that he would take all of them. 

   Norman went on to illustrate more than three hundred covers for the Post. Creating an illustration that told a story was not easy, and it took a lot of work on Norman’s part. He had to come up with a concept, draw sketches, and find models when needed. Dealing with his animal models could be quite challenging as they would not always cooperate. How do you get a turkey to sit still?

   Norman’s covers, which usually portrayed everyday people doing everyday things, were hugely popular with the American public, and he became famous. His paintings were charming, often funny, and so easy to relate to. In an imperfect and often unpleasant world they presented “the best side of things.” 

   Later in life Norman began to use his art to address issues that were dear to him. Some of the things he painted were controversial, but he created them anyway. He realized that he had to paint the truth, even if that truth was distressing or grim. Sometimes painting what was good and right in the world was not enough. 

   The narrative and artwork in this wonderful book tells the story of a man whose art delighted many thousands of people every week for years. It is clear to sense how deeply the author and illustrator connect with the story of Norman Rockwell. Their affection, respect, and admiration for the artist can be felt in every sentence and every piece of art. 

   At the back of the book readers will find a biography of Norman Rockwell, notes from the author and illustrator, a timeline of Norman’s life, and some examples of his paintings. 

February is Black History Month

 

Dear Bookish Friends,

February is Black History Month. Throughout the month I will be exploring books about African Americans and other men and women of African descent who have made the world a better place for all. 

   Black History Month is an annual event that celebrates the achievements of  people of African descent. It is a time for recognizing their central role in world history. Also known as African American History Month, the event grew out of “Negro History Week,” the brainchild of noted historian Carter G. Woodson and other prominent African Americans. Since 1976, every U.S. president has officially designated the month of February as Black History Month. Other countries around the world, including Canada and the United Kingdom, also devote a month to celebrating Black history.

   The story of Black History Month begins in 1915, half a century after the Thirteenth Amendment abolished slavery in the United States. That September, the Harvard-trained historian Carter G. Woodson and the prominent minister Jesse E. Moorland founded the Association for the Study of Negro Life and History (ASNLH), an organization dedicated to researching and promoting achievements by Black Americans and other peoples of African descent.

  Known today as the Association for the Study of African American Life and History (ASALH), the group sponsored a national Negro History week in 1926, choosing the second week of February to coincide with the birthdays of Abraham Lincoln and Frederick Douglass. The event inspired schools and communities nationwide to organize local celebrations, establish history clubs and host performances and lectures.

   In the decades that followed, mayors of cities across the country began issuing yearly proclamations recognizing "Negro History Week." By the late 1960s, thanks in part to the civil rights movement and a growing awareness of Black identity, "Negro History Week" had evolved into Black History Month on many college campuses.

   President Gerald Ford officially recognized Black History Month in 1976, calling upon the public to “seize the opportunity to honor the too-often neglected accomplishments of Black Americans in every area of endeavor throughout our history.” Today, Black History Month is a time to honor the contributions and legacy of African Americans across U.S. history and society—from activists and civil rights pioneers such as Harriet Tubman, Sojourner Truth, Marcus Garvey, Martin Luther King Jr., Malcolm X and Rosa Parks to leaders in industry, politics, science, culture and more. 

   Since 1976, every American president has designated February as Black History Month and endorsed a specific theme. The Black History Month 2022 theme, “Black Health and Wellness,” explores "the legacy of not only Black scholars and medical practitioners in Western medicine, but also other ways of knowing (e.g., birthworkers, doulas, midwives, naturopaths, herbalists, etc.) throughout the African Diaspora. The 2022 theme considers activities, rituals and initiatives that Black communities have done to be well." 

Happy February! This month's Bookish Calendar and celebratory days

 

Dear Friends,

A happy February to you all. I wish you a month that is rich in books, music, art, new and joyous endeavors, and moments of soft repose. 

February comes from the Latin word februa, which means “to cleanse.” The month was named after the Roman Februalia, which was a month-long festival of purification and atonement that took place this time of year. See all the month names.

February is the only month to have a length of fewer than 30 days! Though it’s usually 28 days, February is 29 days long in leap years. January and February were the last two months to be added to the Roman calendar (c. 713 BC); originally, winter was considered a month-less period. 

Originally, February was made the last month of the calendar year. Eventually (c. 450 BC), February was moved to its place as the second month.

This month's Bookish Calendar  is packed with birthdays and special days.  Among others, the writer Charles Dickens, artist Grant Wood, and inventor Thomas Edison were all born in February. 

In addition, February is Black History Month, and today is the beginning of the Lunar New Year. This year is the year of the Tiger.  

The Redwall Gifts

A summer picnic in the orchard

 

The Redwall books give readers so much; marvelously rich characters, grand adventures, battles, expeditions, villains, heroes, warriors, beautiful lands to explore, and.....food. Throughout these books meals, feasts, and snacks are described, and let me tell you, they make you hungry. Truly, they do. Here is sample from one of the books:

Tender freshwater shrimp garnished with cream and rose leaves, devilled barley pearls in acorn puree, apple and carrot chews, marinated cabbage stalks steeped in creamed white turnip with nutmeg… crusty country pasties, and these were being served with melted yellow cheese and rough hazelnut bread.

From the otter’s spicy soup to the deep, earthy Deeper’n’Ever Turnip’n’Tater’n Beetroot pies presented by the moles to the fruit-studded scones and and honey-covered hotcakes and colorful salads, reading about a Redwall meal is like being trapped on the wrong side of a window watching someone else’s feast.  You desperately want to get inside, but can’t figure out how to magically transport yourself into the story so that you can try everything just to see if it can possibly be as good as Jacques made it sound.

In his books Jacques makes a point of describing every feast in detail (and there are feasts in every book) and he makes sure that his characters, when they go on their quests, are provisioned with a good supply of rations that would make most fantasy heroes cry with jealousy.  No hardtack for these furry warriors. It’s oatcakes and honey, scones, and bottles of cordial for the heroes who set out from Redwall.

The meals in these stories aren’t just a way to make readers wish that they were smaller, fuzzier, and wielding swords for the good of all creaturekind.  The feasts are a coming-together, often at the start or the end of an adventure.  Friends and family from all over the Mossflower forest are invited into the abbey.  Stories are told beside roaring fires while the adults sip October Ale and the little ones enjoy cups of strawberry fizz or dandelion cordial.  Long-dead heroes visit young warriors-to-be in their sleep and inspire them to set out at dawn.  And once the questing is through and the heroes return home, a feast will be assembled to welcome them again.  Food, feasting, fellowship: the coming together of characters is significant enough to deserve detail.  Rather than leaving it at “and then they ate together,” Jacques satisfies us with extensive description so that we, too, can attend, at least in part – I have yet to receive a slice of deeper’n’ever pie from an obliging mole.

Here is a marvelous article written by Molly Priddy about Redwall Feasts.  In it she mentions The Redwall Cookbook, which I will review soon. 

The Bookish Calendar for February First to February Seventh

 

Dear Friends:

Here are the birthdays and special days for the first week of February. I hope that you take a look at the features on Through the Looking Glass that celebrate these days on the pages of books.

February 1st - The Lunar New Year 

The Lunar New Year begins on the date (in East Asia) of the second new Moon after the winter solstice, which always takes place in late December. This means that the first day of the Lunar New Year can occur anytime between January 21 and February 20. In 2022, this new Moon occurs in China on Tuesday, February 1, marking the start of the Lunar New Year. 

   The traditional Chinese calendar is a lunisolar calendar, which means that it is based on astronomical observations of the Sun’s position in the sky and the Moon’s phases. This ancient calendar dates back to 14th century BCE (whereas the Gregorian calendar was introduced in 1582). The Chinese lunisolar calendar shares some similarities with the Hebrew calendar, which is also lunisolar, and it has influenced other East Asian calendars, such as those of Korea and Vietnam. 

   Because the Chinese calendar defines the lunar month containing the winter solstice as the 11th month, Lunar New Year usually falls on the second new moon after the winter solstice.

   Just like New Year according to the Gregorian calendar (January 1), Lunar New Year celebrations start on the night before the first day of the new year. 

   Although this holiday has commonly been called “Chinese New Year” in the West, China is not the only country to observe it. Lunar New Year, also known as the Spring Festival, is the most celebrated and longest of all Asian festivals, and is observed by millions of people around the world.

   A number of other countries in East Asia, including Vietnam, Korea, Japan, and the Philippines, hold their own new year celebrations at this time. (Occasionally, the date celebrated may differ by one day or even one moon cycle due to time zones and other factors.)

   As with many winter solstice celebrations, the symbolic darkness of night is banished by the light of fireworks, lanterns, and candles. Man-made paper lanterns are hung by the hundreds in public areas, bringing good luck to the new year.

   There are dragon dances, performances, and festival parades with music and acrobatics. The festivities continue for two weeks, finishing with a special lantern festival, which signals the end of the New Year celebration period.

   In 2022, we ring in the Year of the Tiger, one of 12 animals in the Chinese zodiac. The animal designations of the zodiac follow a 12-year cycle and are always used in the same sequence.

February 1st - The birthday of Langston Hughes

James Mercer Langston Hughes (February 1, 1901 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that "the Negro was in vogue", which was later paraphrased as "when Harlem was in vogue."

February 3rd - The birthday of Norman Rockwell

Norman Rockwell (February 3, 1894–November 8, 1978) was an American painter and illustrator best-known for his Saturday Evening Post covers. His paintings depict real American life, filled with humor, emotion, and memorable faces. Rockwell shaped the face of illustration in the mid-20th century and with his prolific body of work, it's no wonder he's called "America's Artist."

February 4th - The birthday of Rosa Lee Parks

Rosa Parks (February 4, 1913–October 24, 2005) was a civil rights activist in Alabama. When she refused to give up her seat on a Montgomery bus to a white person her case touched off the Montgomery Bus Boycott and was a significant milestone in forcing the Supreme Court to end segregation. She once said, "When people made up their minds that they wanted to be free and took action, then there was change. But they couldn't rest on just that change. It has to continue." Parks' words encapsulate her work as a symbol of the Civil Rights Movement.

February 4th - The birthday of Charles Lindbergh

Charles Lindbergh (February 4, 1902 - August 26, 1974) is known as the first aviator to complete a solo transatlantic flight, which he did in his plane, Spirit of St. Louis. In 1932, his 20-month-old son was kidnapped. The Lindberghs paid the $50,000 ransom, but sadly their son's dead body was found in the nearby woods weeks later. The events made world news and added to Lindbergh's fame. 

February 6th - The birthday of Babe Ruth

Baseball icon Babe Ruth (February 6, 1895 - August 16, 1948) set numerous records as a pitcher and slugging outfielder. He was among the first five players inducted into the sport's Hall of Fame. Over the course of his career, Babe Ruth went on to break baseball's most important slugging records, including most years leading a league in home runs, most total bases in a season, and highest slugging percentage for a season. In all, Ruth hit 714 home runs—a mark that stood until 1974.

February 7th - The birthday of Charles Dickens

Charles Dickens (February 7, 1812 - June 9, 1870) was a British novelist, journalist, editor, illustrator and social commentator who wrote such beloved classic novels as Oliver Twist, A Christmas Carol, Nicholas Nickleby, David Copperfield, A Tale of Two Cities and Great Expectations. Dickens is remembered as one of the most important and influential writers of the 19th century. Among his accomplishments, he has been lauded for providing a stark portrait of the Victorian-era underclass, helping to bring about social change.

February 7th - The birthday of Laura Ingalls Wilder

Pioneer and author Laura Ingalls Wilder (February 7, 1867 - February 10, 1957) wrote the semi-autobiographical 'Little House' book series. She published Little House in the Big Woods, the first of her well-known Little House series in 1932. Wilder finished the last book in 1943. 

Classics Monday with a review of Redwall, one of the greatest fantasy books written for readers of all ages

 

I first read Redwall when I was in my early thirties, and it quite took my breath away. I think what drew me to it the most were the characters. Some filled me with admiration, others made me laugh, and still others filled me with revulsion. My emotional reaction to the mice, hares, moles, rats, and other creatures was very strong indeed. On top of this the food described in the book sounded so delicious!

   I had never read a book like Redwall, and I proceeded to voraciously read the rest of the books in the collection. Once I had caught up, I, like so many other Redwall devotees, eagerly waited for the author, Brian Jacques, to write the next book in the series. Altogether Brian wrote twenty-two and two picture books. The twenty-second, and final, novel, The Rogue Crew was posthumously released on the third of  May in 2011, almost three months after Jacques' death on the fifth February. He is greatly missed. 

Redwall

Brian Jacques

Fiction 

For ages 12 and up

Penguin, 2002, 978-0142302378

Matthias, a novice mouse at Redwall Abbey, dreams of becoming a warrior like the great Redwall hero, Martin the Warrior. Abbot Mortimer tells his young charge that the "day of the warrior is gone" and that Matthias has to learn how to live a different, peaceful sort of life; he must accept, with good grace and humility, the simple jobs that are given to him. Poor, clumsy and dreamy Matthias, who is not in the least a warrior-type of mouse, cannot help wishing that things were otherwise.

   Then one day the Abbot and his Redwall creatures discover that those times are not gone after all. As Redwall bakes in the warmth of the summer sun, Cluny the Scourge with his horde of rats arrives in Mossflower. As soon as Cluny sees Redwall he decides that he must have the great abbey for himself. It would make a perfect headquarters for his vicious gang, and a stately and impressive residence for an animal who intends to rule over the whole country of Mossflower.

   Suddenly, and with little time to prepare, the peaceful animals of Redwall have to adopt a new way of life. They have to learn how to fight and how to scheme. They have to do everything that they can to protect Redwall and  keep the mice, squirrels and other creatures that live there safe from harm.

   To the astonishment of all, including himself, Matthias steps easily out of his role as a bumbling novice and into a new role as champion of Redwall. As Cluny tries to find ways to get into Redwall, Matthias seeks the legendary sword of Martin, sure in his heart that once he has the sword he will truly be Martin's heir and will be able to protect his home and his friends.

   Packed with gripping action, riddles, and mysteries, this first book in the Redwall series is sure to whet the appetite of the reader. The characters are rich, and so vivid that the reader begins to feel as if they are friends, or enemies, as the case may be. Among others we meet moles who speak in an endearing dialect; a hare who eats more than anyone else imagines is possible; a sparrow who has great courage and ferocity; and a mouse who never gives up.

   Set in a world filled with animal characters, in a time when one has to live off the land, and fend off enemies, to survive, this is a fantasy title that offers readers a memorable reading experience.

A magical ability - Would it be a gift or a curse....or both?

If you are a Beaumont - by blood mind you - you know that after you turn thirteen it is certain that you will develop a magical ability, a "savvy." No one knows what their savvy will be, so the waiting process is rather nerve wracking, as I am sure you can appreciate. Sometimes a savvy is a wonderful thing. One Beaumont's savvy is the gift of perfection; she is always perfect in her looks and behavior. Then there are the savvys that are prone to creating disasters; Fish Beaumont can control the weather. If he does not keep his emotions in check tornadoes and hurricanes appear and wreck havoc. 

   The marvelous New York Times bestselling author Ingrid Law is the person who tells the stories of the Beaumonts and their savvys. To date she has written three books about this remarkable family, Savvy, Scumble, and Switch; Savvy won the Newbery Honor award in 2009. 

  Today I bring you a review of the third book in the series. The book is available in print, as an ebook, and as an audiobook. As with all the books that I've written about so far this year, these three titles will appeal to both young readers and adults. 

Switch

Ingrid Law

Fiction

For ages 9 and up

Penguin, 2015, 978-0-8037-3862-1

Gypsy Beaumont is so eager to turn thirteen. In her family, turning thirteen is a landmark birthday, but not because it is the first of the teen years. When Beaumonts turn thirteen they get their savvy and they are always eager to see what form their savvy will take. A savvy is a magical ability, and no one can tell in advance what it will be. Gypsy’s big brother Sampson can become invisible, and he can become incredible strong. He can even pass this latter ability on to others in a crisis. Her mother’s savvy is that she is always perfect in her appearance, and every other aspect of her life. She is never frazzled or out of sorts, she never drops, breaks, or burns things. Gypsy’s Grandpa Bomba, could “move and stretch” landmasses to make them bigger or smaller. 

   Now it is Gypsy’s turn, and she has high hopes that her savvy will be something fabulous. She is therefore rather disappointed when it turns out that Gypsy’s gift is that she is able to see into the past or the future. The family discovers that her savvy is linked to her poor eyesight. On the very day Gypsy gets a pair of glasses her savvy “visions” stay where they belong. As long as she wears her glasses she is vision free, and so this is what she does; she keeps her head down and plays it safe.

   Three months after she gets her savvy, Gypsy has a vision while they are in church. She sees an old woman standing on a tower. The woman is wearing a bizarre outfit and it is a cold, snowy night. The old lady falls from the tower, surely to her death. Gypsy is sure that the old lady is herself in the future, and she decides that she will do everything that she can to prevent her premonition from coming true. 

   When they get home from church, Gypsy’s father, Poppa, tells his children that his mother, Grandma Pat, is going to have to come to live with them. One of Grandma’s neighbors called and told Poppa that Grandma is becoming forgetful and disorientated, and she cannot live alone any longer. No one is happy to hear this news because Grandma Pat is, to put it simply, not a very nice person. She loves her son, and thinks he made a big mistake when he married Momma. She has never shown much interest in Gypsy and her siblings.

   On hearing this news Tucker, Gypsy’s little brother, proceeds to have a tantrum, which then turns into something else altogether. Tucker starts to get bigger and bigger and bigger. And then Samson bursts into flames. They manage to get the two boys outside where Sampson put himself out in a bank of snow, but Tucker is still in a rage and he is enormous. Desperate for the chaos to cease, Gypsy yells “Stop, stop, stop, stop, STOP!” and everything stops. Literally. Gypsy has frozen time. 

    It takes a while, but Gypsy finally figures out how to unstick time. Tucker is given gummies and he shrinks back to his normal little boy size, and the family set about trying to figure out what is going on. They decide that Momma, Sampson, and Gypsy are experiencing a savvy switch. Instead of being perfect Momma is very imperfect; instead of being invisible Sampson  gets hot and can light himself on fire; and instead of being able to see into the past and the future, Gypsy can now stop time. On top of this Tucker has got his savvy a lot sooner that is the norm Apparently he can make himself big. Really big.

   Feeling very out of sorts and pretty miserable, the Beaumonts set off for Colorado a few days later to pick up Grandma Pat. Poppa has to stay home to get the house repaired because Tucker did a lot of damage when he got his savvy. When they finally get to their destination they can see very clearly that the neighbor was right, Grandma Pat certainly cannot live alone. She drifts between her memories of the past and the present and wanders off without any warning. This situation is bad enough, but what makes things even worse is that Gypsy comes to realize that the old woman on the tower in her vision was Grandma Pat and not herself. Somehow Gypsy has to make sure that Grandma Pat does not end up on that tower on a cold, snowy, wintery night.

   This remarkable companion to Savvy and Scumble takes readers on a whirlwind adventure that is full of surprises. As Gypsy, Sampson, and Tucker race to save Grandma Pat from herself, they collect a colorful collection of allies along the way. In addition Gypsy learns some interesting things about her grandmother that give her cause to think about things in a new way. Gypsy had convinced herself that the solution to her problems was to live under the radar and to suppress her natural “sparkle” and ebullience. Could it be that this strategy is not the answer after all?  

About Ingrid Law:

Before Ingrid Law wrote her Newbery Honor book Savvyand its companion books Scumble and Switch, she had many different jobs and interests, including: issuing marriage licenses, being a mom, selling shoes, working in a bookstore, designing and sewing costumes, puppets, and dolls, and creating art quilts she displayed and sold in galleries. Ingrid was born in northern New York but moved to Colorado when she was 6 years old, where she grew up and lived for many years before moving to Portland, Oregon, for five wonderful, rainy years. Back in Colorado now to look after her aging parents, Ingrid spends her free time reading, writing, watching movies, and contemplating small and lovely things in the garden behind her house—a house just big enough for her and her two dogs, George and Eliot. Ingrid has a new children's fantasy book in the works, but cannot say yet when it will be finished.

Why do we write? To educate, to entertain, and to touch the hearts of our readers

When I read this post from the great Kate DiCamillo I smiled from the tips of my toes to the tips of my ears, and, unbidden, my hand found its place over my heart. This is why people write for children, and this is why I love to read children's book literature. I believe that authors who write for the young have a gift for creating a kind of word magic that is rarely seen in adult literature. They create characters who are not only memorable, but whose words and actions also touch our hearts. The little boy who met Kate DiCamillo deeply cared about Despereaux. He was afraid for him and needed to know that the little mouse would "be okay." 

   It is my dream to be able to touch my readers in this way one day.

Children's literature enriches the lives of adult readers

Some years ago my daughter gave me the book What the Dormouse said: Lessons for grownups from Children's Books. The marvelous Judith Viorst, a famous children's book author, wrote the forward for the book, and in it she says: 

"In my editing days...the children's book department was the patronized kid sister of the far more important, and self important, adult book department, where, it was deemed, the serious action took place. I didn't - and don't - accept this point of view. 

   For I've always believed that, at their best, the language and art of books for children are as good as it gets. At their best, the subjects treated in these books include almost all our central human concerns. At their best children's books offer insights we'll want to remember and ponder and savor and learn and revel in."

I completely agree with this. I believe children's literature is a gift for readers of all ages,  which is why I am writing these posts. Now, more than ever, we need children's literature in our lives so that we remember how to see the world through eyes full of wonder, how to think about at least "six impossible things before breakfast," and how to reclaim some of the virtues of our younger selves.

   I can remember how excited my child self was when I was able to progress from picture books and simple little chapter books to hefty novels. It was a rite of passage for me, and I was so proud on the day when I left the library with a stack of books that had not come from the children's section. At this point in our lives we are all so eager to do the next 'big thing' that comes with growing up; "onward and upward" is our rallying cry. We set aside the 'babyish' things that we loved, eager to embrace the things that are for people who are bigger and older.

   Unfortunately, this can mean that we set aside books that, though they were written for children, have an ageless quality. I know of many people who still love to read the Winnie the Pooh books, particularly in hard times. The sweet humor and gentle wisdom that lies within the Pooh stories can be very healing for a hurt, weary, or anxious adult heart. Often adults are reluctant to admit that Pooh still has the power to delight them because they feel that an adult should only be reading books that are written for adults. 

   Let us set this idea aside, my friends. Childhood favorites such as The Wind in the Willows, The Secret Garden, Little Women, Anne of Green Gables, Sarah Plain and Tall, Wishtree, Redwall, Harry Potter, and James and the Giant Peach offer us adults a reprieve from our busy and often stressful lives. Some convey a truth, or several truths, that we need to be reminded of. Others make us laugh and lift us up with their extraordinary language.

   The books that I will be telling you about in this blog are books for children AND adults. In some cases adults will enjoy a book I mention as they read it to a child, and talk about the subject matter with that child. Adults will learn something new or will be reminded of something important that they have forgotten.

   In other cases adults will enjoy reading the books I talk about on their own, for themselves. In these books adults will go on adventures with marvelous characters, they will learn about remarkable people, they will revel in language that is rich and emotive. 

   

Classics Monday - Romanticism, L.M. Montgomery, and Anne of Green Gables

 

I recently started re-reading the Anne of Green Gables stories and I am thoroughly enjoying the experience. I'll be honest with you; I really did not expect to like the stories this much. The style of writing that L.M. Montgomery used in her stories - Romanticisim - is flowery, sentimental, and sometimes a little overly sweet for our modern sensibilities. 

   Romanticism was a literary movement that emphasized individualism and emotion. The Romantic era lasted from the end of the 18th century to the middle of the 19th century, but its effects are still evident throughout modern literature.

L.M. Montgomery

   Romantic works were a reaction to the Age of Enlightenment and the   advancing Industrial Age, a time in which science and rationalization   began to take firmer hold in the public consciousness. Romantic   literature challenged this new wave of ideas by telling stories rooted in   emotion, nature, idealism, and the subjective experiences of common   men and women.

   It’s important to note that romanticism, as a literary movement, is not   the same thing as the literary genre of romance novels. Romanticism   may be an influence on today’s romance novels, but romance novels do   not typically possess all the elements central to Romantic-era literature. Also, the term Romantic does not refer directly to romantic love. It comes from the medieval French romaunt, the term for an epic, chivalrous quest told in verse.

   What I like about the Anne books is that, unlike many other authors of that time, the female characters in these stories are not idealized; they are not presented as "innocent, naïve bundles of perfection that needed sheltering and, in some cases, outright worship." They are flawed, and funny, and kind, and rude, and sometimes even downright annoying. 

      If you have a love of words, and an interest in stories that grow and evolve with the characters, then the Anne of Green Gables books will suit you. They are entertaining, and they are gently funny because Anne herself is an amusing and delightful character. 

Anne of Green Gables

Lucy Maud Montgomery

Fiction 

Ages 10 and up

Random House, 1982 , 978-0553213133

To the amazement of the good people of Avonlea, Marilla and Matthew Cuthbert, a brother and sister who never married, have decided that they are going to adopt an orphan boy; Matthew is no longer as young as he used to be and he could do with a little help around the farm. The thing of it is, when Matthew goes to get the boy from the train station he discovers that some kind of mix-up has taken place, and there is a girl waiting for him at the station and not a boy. She's not just any girl either. This girl has flaming red hair, she never seems to stop talking, and what she says can be very peculiar and very funny.

   Though Anne Shirley has had very little education, she has somehow picked up a lot of ideas, and she is a bottomless well of questions. Matthew, who normally is rather afraid of little girls, is quite bewitched by the strange and fanciful child. At first Marilla is convinced that Anne should be returned to the orphan asylum as soon as is possible, but Anne, in just a few days, grows on her too. Matthew is convinced that Anne should stay, and before Marilla quite knows what is what, Anne is settled into one of the gable bedrooms in the Cuthbert house.

   Marilla with her sharp tongue and old-fashioned ideas, and Matthew with his gentle, quiet and generous ways, soon find themselves severely tried by the “scrapes” that Anne gets into. No matter how hard she tries, Anne still manages to ‘find’ trouble.

   There is the time when Anne gets her best friend Diana quite drunk by accident. On another occasion Anne puts some very unexpected flavoring in a cake; she mistakes a bottle of iodine for a bottle of vanilla and the result is too dreadful to eat. One day Anne plays the part of a poetical heroine only to discover that the boat in which she is sitting is sinking.

   When she is not getting into trouble, Anne is coming up with all sorts of ideas, the more “romantic” they are the better. Anne’s biggest asset, perhaps, is that she has an “imagination.” Of course this gift gets her into scrapes sometimes, but it also makes her life endlessly amusing and interesting, and others find themselves gravitating towards her, wanting to hear her funny sayings, her stories, and her imaginings.

   In what seems like no time at all, Anne is a very much loved member of the Avonlea community. There is no doubt that Marilla thinks the world of her, though she would never admit as such. Anne is a little bundle of sunny energy who gets many of the people around her thinking and doing things that are quite out of the ordinary.

   Though this book was originally written at the turn of the century, and though the writing style and some of the ideas and sentiments expressed in the book are somewhat old-fashioned, there is no doubt that the irrepressible little redhead who decries “woe,” and similar dramatic phrases, is timeless in her appeal. Anne Shirley is funny, loveable, and at times she sets her world on its head with her antics. What she also does is to give her love and affection freely, and she is generous and well-meaning. The little girl who never had a real family and who was starved for love finally, now has a home of her own, and we delight in her good fortune. We also enjoy sharing her various adventures,  seeing her triumphs, and laughing out loud at some of her more outrageous mistakes. With grace and obvious affection, L.M. Montgomery shares her Prince Edward Island world with us, and shows us that good things can still happen to good people.

Appreciate a dragon with a review of A tale of Two Castles

I would love to live in a world where dragons and humans could live side by side, working together. Imagine if you could hire a dragon to help you find out information about your family, or find your dog if it gets lost. In the town of Two Castles there is a dragon that provides these, and many other, services. Wouldn't it be wonderful if you could work for a dragon as an investigator?  I think it would, and today I bring you the story of a girl who becomes apprenticed to just such a dragon. 

A Tale of Two Castles 

Gail Carson Levine
Illustrated by Greg Call 
Fiction
For ages 9 to 12
Harper Collins, 2011, 978-0061229657
The time has come for Elodie to leave her home and her family, to journey to the town of Two Castles so that she can be apprenticed to a weaver. Elodie's parents want her to take this position, but Elodie has no intention of becoming a weaver. Instead, she wants to become a mansioner (an actor) and she feels that she has a good chance of finding a place once she gets to Two Castles.
   With an aching heart, Elodie boards a cog (boat) and a new chapter in her life begins. She is not on the cog long before she finds out that the business people in Two Castles are no longer accepting apprentices who cannot pay them a fee for taking them on. Poor Elodie only has enough money to pay for a few meals. She wonders if she might persuade one of the masters or mistresses to take her on for fifteen years. Surely, they will jump at the chance to have “free labor” for such a long period of time.
   Soon after arriving in Two Castles, Elodie is robbed by a cat, she sees a count who is an ogre, and meets a dragon called Meenore. Elodie tries to get an apprenticeship with one of the mansioner companies, but is told that the only way she can get an apprenticeship is if she pays the master mansioner money, which she does not have. To her surprise, Meenore invites Elodie to become ITs (dragons keep their gender a secret) apprentice. Her job will be to proclaim the dragon’s “powers of deduction, induction, and common sense,” to help Meenore to prepare the skewers of bread and cheese that IT sells in the market and to help IT with IT’s “many responsibilities.” In return, the dragon will give Elodie food, lodging, and a small salary.
   Elodie helps her new master in ITs daily doings, and then Count Jonty Um comes to Meenore and asks IT to find his lost dog. Elodie goes to live in the count’s castle, posing as a servant as she tries to find the missing dog. Meenore warns Elodie that the count is not well like by the people of Two Castles, and that many of them wish him ill. She must keep her eye on him as well as look for the dog. When she accepts the charge, Elodie never imagines that she will soon witness an attempted murder, and that she herself will be in mortal danger.
   Gail Carson Levine truly has an extraordinary gift. She is able to create a world that is entirely credible, characters that are so alive that we feel that we know them, and stories that are captivating and addictive. Readers who have a fondness for mysteries and adventures will thoroughly enjoy this delightful tale.