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Dear Book Lovers, Welcome! I am delighted that you have found The Through the Looking Glass blog. For over twenty years I reviewed children's literature titles for my online journal, which came out six times a year. Every book review written for that publication can be found on the Through the Looking Glass website (the link is below). I am now moving in a different direction, though the columns that I write are still book-centric. Instead of writing reviews, I'm offering you columns on topics that have been inspired by wonderful books that I have read. I tell you about the books in question, and describe how they have have impacted me. This may sound peculiar to some of you, but the books that I tend to choose are ones that resonate with me on some level. Therefore, when I read the last page and close the covers, I am not quite the same person that I was when first I started reading the book. The shift in my perspective might be miniscule, but it is still there. The books I am looking are both about adult and children's titles. Some of the children's titles will appeal to adults, while others will not. Some of the adult titles will appeal to younger readers, particularly those who are eager to expand their horizons.
Showing posts with label Elsie's Bird. Show all posts
Showing posts with label Elsie's Bird. Show all posts

Wednesday, September 1, 2010

Elsie's Bird Blog Event Day Three - An interview with Jane Yolen

For the third and final part of this blog event I have an interview with Jane Yolen about her fabulous book Elsie's Bird.

Marya: Where did the idea for this story come from?

© Jason Stemple
Jane: I was in the doctor's office some time ago and reading the Smithsonian Magazine. There was an article about women going west, carrying with them canaries in cages. It struck a cord. But the book had about a five-year gestation period and was originally about a woman who meets a young farmer and marries him and goes west with him. My editor asked me to rethink it with a child at the center. And after the requisite kicking and screaming and holding my breath until I turned blue, I tried it - and the book
worked so much better, I immediately claimed it was my ideal. (No I didn't, the editor Patti Gauch was a genius at such small suggestions and I truly mourn her retirement.)

Marya: The story takes a sad turn when Elsie struggles with the isolation that she feels on the farm in Nebraska. How did you get inside her head and heart? How did you find out what it was like to be a child who moved from a city to a sod house on a prairie? 
Jane: Once the child was off to that new place, I became her. The voice I heard was my childhood voice in my head.

Marya: How do you think children who have never seen a prairie will identify with Elsie? 
Jane: I think they identify with the fear of new places, the loss of family and familiar things, the need to be brave when a pet is in danger. The prairie in the book stands for all the scary new things that really often have their own beauty once we are willing to surrender to them. It could just as easily be a new city, a new country, a new school. New things are scary. They seem unnatural. Children go into new situations all the time.

Marya: To me this story is very much about finding ones sense of home in a new place. How do you think adults can help children to adjust to a new place? 
Jane: First I think you have to let  child identify the fear of the new. Remind them of all the new things they have done before in their lives - getting born, moving house, a new school, visiting someone they've never met before, going to the doctor, taking a test. All those things are new - and can become something fabulous. Don't tell them they are silly or stupid to feel that way. Acknowledge their fears, and even your own fears. And then help them find the beauty, those things which make this new place  beautiful.

Marya: I enjoy reading stories about what it was like to move to the American frontier. Over the years, my copies of Laura Ingalls Wilder's books have traveled from place to place with me. Is this a part of history that you have a particular interest in? If so why?
Jane: I lived the first thirteen years of my life more or less in New York City and suddenly we moved to Connecticut. No preparation, thrown into the deep end of the pool. After college I went back to New York to work. Then my husband and I traveled around Europe and the Middle East for almost a year and moved to Massachusetts when we came back. One New York friend mused puzzingly, "How can you stand all that green?" Well, I am a born-again New Englander now. And a part time Caledonian, living in Scotland about four months a year. I love finding new beauty wherever I go. It's not Nebraska, not the prairie that calls me; it's finding the beautiful new.

Marya: Elsie's Bird is your 300th book. How does it feel to have reached this
extraordinary milestone in your career?
Jane: It sounds more extraordinary to other people than it sounds to me. You see, I remember writing all those books, one at a time. I love to write, love to watch stories and poetry leak out of my fingertips onto the keyboard. Nothing makes me happier. (Another kind of finding the new beauty, actually!) They are all dear old friends. Though I have to admit, I love quoting this from Isaac Asimov: "If the doctor told me I had six minutes to live, I'd type a little faster.”

Thank you so much Jane. I am looking forward to seeing what you do next. Here's to many more books to enjoy in the future.

Tuesday, August 31, 2010

Elsie's Bird Blog Event Day Two - Elsie's Bird Review

Here is my review of Elsie's Bird.

Jane Yolen
Illustrated by David Small
Picture Book
Ages 6 to 8
Penguin, 2010, 978-0-399-25292-1
   Elsie has a happy life living in the city of Boston with her Mama and her Papa. She loves to explore the city, and she knows the names of all the birds. As she skips and runs through the streets, she loves to sing the songs of the birds “back at them.”
   Then a dark cloud covers the sun in Elsie’s life. Her mother dies and Elsie’s Papa decides that he needs to leave Boston to go somewhere far away so that he can leave behind “the sadness in his heart.” When they get to their farm, which lies in the middle of a sea of grass in Nebraska, Elsie realizes that her new home is going to be nothing like her old one. She misses the sight and sound of the sea. She misses being around other people. Elsie dreams “of Boston cobbles and bells.” The one thing that lifts her spirits is the presence of Timmy Tune, a little canary. Throughout the day Elsie and her pet sing “back and forth.” Timmy Tune’s little voice injects some sunshine into Elsie’s otherwise sad and lonely life.
   Then one day Timmy Tune gets out of his cage and Elsie runs out into the grass to find her beloved pet. How will she survive in this place without him?
   In this magical picture book, Jane Yolen takes her readers back to a time in American history when many families left the places they knew and went west. They gave up much that was familiar to build a new life on the open prairies. Eagerly or reluctantly, children went to these new places, and for many of them it was a shock to discover that their new home was nothing like the one they had left. With sensitivity and lyrical writing that beautifully captures the essence of Elsie’s world, Jane Yolen has once again created a book that will delight readers of all ages.    
   David Small’s expressive illustrations perfectly capture the essence of Jane Yolen’s story. With changing perspectives and flashes of color, David Small’s paintings are full of movement, and readers will come to understand how a “sea of grass” can be beautiful

Monday, August 30, 2010

Elsie's Bird Blog Event Day One - Jane Yolen's 300th book!

JANE YOLEN, “THE HANS CHRISTIAN ANDERSEN OF AMERICA,”
PUBLISHES 300TH BOOK THIS FALL
Award-winning, bestselling author Jane Yolen, whom Newsweek dubbed “the Hans Christian Andersen of America,” is publishing her 300th book this fall.  Yolen’s books and stories have been honored with some of the publishing industry’s most distinguished awards, including a Caldecott Medal, a Caldecott Honor, two Nebula awards, the Jewish Book Award, and two Christopher Medals.  She’s received three body-of-work awards and six honorary doctorates.  Yet when she began her writing career as a journalist and poet, she could never have guessed that someday she'd be the author of 300 books for children, teens, and adults. 

Yolen marks the milestone with Elsie’s Bird (Philomel), a lyrical picture book illustrated by Caldecott Medalist David Small, about a motherless Boston girl who moves to the Nebraska prairie.  The author’s words also sing out in five other new books this fall:  Lost Boy: The Story of the Man Who Created Peter Pan (Dutton), a picture book biography of J.M. Barrie; Hush, Little Horsie (Random House), which tucks in the youngest picture book lovers with a lullaby of love; Switching on the Moon: A Very First Book of Bedtime Poems (Candlewick), an anthology co-edited with Andrew Fusek Peters; The Barefoot Book of Dance Stories, written with Heidi E.Y. Stemple (Barefoot Books), featuring dance folktales from around the world and a story CD narrated by Juliet Stevenson; and How Do Dinosaurs Laugh Out Loud? (Cartwheel Books/Scholastic), a lift-the-flap book.

 “When I think of the actual number, it seems overwhelming,” says the versatile author.  “But I just love writing, and I can remember working on each book even when I cannot actually name them all without the aid of a list.  I never set out to write this many books.  It just happened.  And you should see the manuscripts I have not yet sold!  I have enough ideas to last me for the rest of my life.”

Yolen truly makes music with words in this fall’s ensemble of books.  Elsie’s Bird evokes a symphony of sound, from the gulls in Boston harbor to the sandhill cranes of the Nebraska grasslands, as it follows Elsie’s journey from grief and loneliness to acceptance.  The prairie feels empty and silent to Elsie, until the day her beloved canary escapes.  Chasing him into the tall grass, she discovers that the prairie sings a song of its own, different from the familiar sounds of Boston, but every bit as beautiful.  Small’s watercolors harmonize with Yolen’s moving words as Elsie’s sadness transforms into an appreciation of her new home.  Elizabeth Bird, writing for SchoolLibraryJournal.com, calls the book “a love song to the country.” 
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