Resistance - An interview with Carla Jablonski

Yesterday I posted a review of Resistance, a graphic novel that was written by Carla Jablonski. Today I am posting an interview that I had with her.

1. How did you get interested in the world of children’s books in the first place?

I actually never stopped reading children’s books! Long after I was a “grown-up” I continued to love books for all ages. And I was lucky enough to land a job soon after college working in children’s publishing -- and never left!

2. Tell us a little about the books you have written.

I’ve written a wide-range of books -- from humorous chapter books to intense YAs, from fantasy to historical fiction, along with movie tie-ins and adaptations. Most of what I write tends to be for middle-grade or teen readers. My most recent books have been Thicker than Water, a very dark YA for older teens about a goth girl who is drawn into an underground “vampire” lifestyle scene (out now in paperback!) and Silent Echoes, a YA novel set in both contemporary New York and the New York of the 19th century. Resistance is my first graphic novel, but I’m already at work on several more. I’m also a playwright/director and I think that’s why the comics medium felt very natural to me -- I understand “staging” and how to tell a story through dialogue.

3. Where did the idea for Resistance come from?

I love writing (and reading) historical fiction and I love research, so I was casting about for a subject that would allow me to use those skills and tell a compelling story for kids. The Resistance allowed me to pose the question “what would I do?” which I think is a very powerful place to start from when writing. The situation is inherently dramatic, so finding ways to make my characters active was easy. I also was interested in the idea of secrets -- when to keep them, how to keep them, their danger -- and the Resistance certainly supplied me with a situation rife with them.

4. How did you research the story? Did you go to France at all?

Oh, how I wanted to go to France! But no, all the research was done here in New York. I did LOTS of things - I read and read and read: histories of the war, memoirs written by resistance fighters as well as autobiographies of people who lived through the times, read up on winemaking in France; I also watched movies (documentaries and fictional films about the war and the resistance in particular) as well as films simply made during that period. I also looked at many images (The New York Public Library picture collection is a great resource!) for visual inspiration.

5. Did you work with the illustrator, Leland Purvis?

Leland was great to collaborate with. When we first started working I gave him character descriptions and he showed me sketches for my input. Because he is such an experienced artist, I left many decisions up to him. My “script” broke the scenes into pages so he would know what I wanted to happen on each page, but, unlike some comics writers, I only rarely told him how I wanted each individual panel to look. I did specify what I wanted the pictures in Paul’s sketchbook to look like, though I often gave him multiple ideas to choose from.

6. When can we expect the second book in the trilogy to be available?

Spring 2011. It’s called Defiance: Resistance Vol. 2.

7. In addition to writing books, you also edit them. Do you like doing this kind of work, and if so why?

I do. I think it’s kind of a left-brain/right-brain thing. I like being able to switch back and forth between the two modes of thinking. I also find doing the editorial work really helps me with my own writing when it’s time to revise.

8. For fun, you perform on the trapeze. How did this start?

As research! I was writing about circus performers and felt I would understand the characters better if I could experience what they did. For some reason I took to it, and I wound up performing in all kinds of shows in New York and in Edinburgh, Scotland. It was not exactly what I thought I’d wind up doing professionally with my masters degree…. But what a great -- and surprising -- detour!

Thank you Carla!

Resistance - A review

Not long ago I read a fantastic graphic novel - the first book in a trilogy - about what it was like to be in France during the German occupation. Here is my review of the title. 

Resistance: Book 1

Carla Jablonski

Illustrated by Leland Purvis and Hilary Sycamore

Graphic Novel

Ages 12 and up

First Second, 2010, 978-1-59643-291-8

   Paul, his sisters, and his mother live in a small French village. Paul’s father is a prisoner of war in a German camp somewhere, and Paul is doing what he can to help his mother. Though no battles are taking place anywhere near their home, life in Paul’s village is still very hard. Everyone is afraid of being denounced to the Germans, and feelings of suspicion and distrust are rife.

   One day Paul goes to the hotel that his family owns, and he sees that the Germans have taken it over. He is immediately worried because the family who runs the hotel, the Levy’s, are Jewish, and if the Germans catch them who knows what will happen. Later that day that Paul finds Henri Levy in the woods and he tells his friend what has happened. Henri’s parents have disappeared, and Henri has nowhere to go where he will be safe. Paul decides that the only thing to do is to hide Henri in the family wine cave. He and his sister Marie have to keep Henri’s presence a secret, no matter what.

   Later that same day Paul discovers that Jacques, the family vineyard helper, is a member of the Resistance, an underground group of people who are doing what they can to make life difficult for the Germans. Paul quickly offers to join the Resistance. He wants to do his part as loyal French citizen. At first Jacques refuses to consider Paul, but later he agrees to let Paul, and his little sister Marie, join the Resistance. After all, the Germans will never suspect that two children might be a threat.

   This powerful and often disturbing graphic novel gives readers a very true to life picture of what it was like to live in France during World War II. No one, not even the children, are untouched by the terrible things that are happening around them. They live in fear, and on occasion, they are called on to risk everything for a cause that is bigger than they are.

Tomorrow I will be posting an interview with the author, Carla Joblonski.

July is Classic Books Month on TTLG - Day Thirteen

My memories of my early childhood are fragmentary, but there is one that is incredibly clear. I am sitting in my father's lap and he is reading The story of Ferdinand to me. I can almost hear his lovely reading voice. The memory makes me miss my father, but it also warms me and makes me feel very grateful that I had such a wonderful person in my life.   

The Story of Ferdinand

Munro Leaf

Drawings by Robert Lawson

Picture Book

Ages 4 to 6

Penguin, 1977, 0-14-050234-3

   There once was a little bull who liked to sit “quietly and smell the flowers.” He had no interest in running or jumping or butting heads with the other little bulls. Ferdinand liked the quiet life. Even when he became a big bull with strong muscles and pointy horns, Ferdinand had no interest in changing his simple lifestyle. The other bulls were all eager to fight in the bull ring, but Ferdinand was happy to sit “quietly under the cork tree and smell the flowers.”

   Then one day, five men wearing “funny hats” came to pick the bull that would fight in the bull fights in Madrid. The other bulls in the field did their best to look fierce so that they would be picked. Ferdinand, not surprisingly, walked over to his favorite cork tree to sit in the shade. Which is when something dreadful happened, something that would dramatically change Ferdinand’s life.

   This timeless picture book has charmed several generations of children since it came out in 1936. With its beautiful illustrations, its simple text, and its meaningful story, this book is a must for young children. 

July is classic books month on TTLG - Day twelve

When I was about eight or so, my American grandmother sent me a boxed set of the Little House books. As soon as I began to read Little House in the Big Woods I became a devotee of Laura Ingalls Wilder's books, and I have read everything she wrote - I think. 

Little House in the Big Woods

Laura Ingalls Wilder
Illustrator:   Garth Williams 
Nonfiction
For ages 8 and up
HarperCollins, 1971   ISBN: 978-0064400015
   Laura is a little girl who lives in a log cabin in the woods of Wisconsin with her Ma, Pa, her sisters Mary and Carrie, and the brindled bulldog Jack. The family is so isolated that Laura has never seen a town, and she rarely gets to play with other children, but she loves her life and enjoys all the new activities that come with the changing seasons.

   With Laura we are going to see what it would have been like to live in the north woods in the late 1800’s. We are going to share the special events that mark the year; Christmas, Laura’s birthday, cheese making time, maple sugar time, harvest time and more. We are going to laugh at Pa’s wonderful stories, and sympathize with Laura when she is punished for being a naughty girl on a Sunday. We are going to discover what it must have felt like to see a town for the first time when Laura and her family go to the lake town of Pepin, and we are going to feel a sense of loss when Pa decides that it is time to leave the Big Woods.

   This first title in Laura Ingalls Wilder’s famous autobiographical books, will get readers of all ages well and truly hooked on the Little House series. Readers will long to know what happens next to this hardworking and loving family. Children will be amazed to read about how people like the Ingalls family had to manage with what they were able to grow, make, or hunt. They will be fascinated to read about how people in Laura’s world made their own cheese, got their “everyday” sugar from maple trees, and how children were not allowed to play or shout on Sundays.

   Garth Williams has created some wonderful black and white illustrations for this book, which capture the essence of Laura’s north woods life, and which give the reader a real sense of what it might have been like to live in a tiny cabin in an enormous forest.

July is Classic Books Month on TTLG - Day 11

Whenever I am feeling down or in need of a little comfort I almost always turn to one book: The wind in the willows. Recently Candlewick Press released a delightful new version of this timeless book. Inga Moore's abridgment and her glorious illustrations make this a title that will delight readers who have a fondness for Toad, Mole, Ratty, and Badger.

The wind in the willows

Kenneth Grahame
Illustrator:  Inga Moore
Fiction
For ages 8 and up
Candlewick Press, 2009   ISBN: 0763642118

The Mole is fed up with spring cleaning. In fact he is so fed up that he throws down his white-washing brush and he digs his way through the earth until he reaches the spring meadow above, the warm sun, and the soft breezes. Elated by the beauty of the day, Mole goes off for a walk. His ramblings lead him to the astonishing and delightful River, a place he has never seen before. It also brings him to the doorstep of the Water Rat. “Ratty,” being a terribly friendly and easy-going sort of animal, invites Mole to go for a picnic with him. The two new friends set out in Ratty’s little row boat, and they have a truly “enchanted afternoon” together.

That very evening Ratty invites Mole to live with him. He offers to teach the Mole how to row and swim,  and all in all, how to appreciate the River and all its mysteries and beauties. Mole accepts this wonderful invitation, and he is soon part of the river community.

One glorious day, some time after their initial meeting, the Mole and the Rat decide to go and visit Toad at his very grand home, Toad Hall. Before they quite know what has hit them, the ebullient and excitable Toad has convinced them to go on an expedition with him in his “canary coloured cart.” The cart is Toad’s latest fad - his newest hobby - and the two friends agree to go along. Unfortunately, the adventure ends badly, and Toad is infected with a new interest. Carts are a thing of the past, they are “common” and not worthy of his attention. No indeed, now Toad is obsessed with motor cars, and as we soon find out, they are the cause of his downfall, and what a fall it is too.

The various adventures of Toad, Mole, Rat and their other friends are both gripping and delightful. Toad’s misadventures are sure to amuse readers of all ages.  This is a superb abridgement of Kenneth Grahame’s marvellous, timeless, and often magical prose; it is filled with the beauty of nature, the mystic powers that lie beneath the surface of every river and behind every tree. Just as Mole is “spellbound” by his first sighting of the river, so too is the reader of this book spellbound by its magical language.

Inga Moore has created artwork that is a tribute to Kenneth Graham’s world and to the power that his words have had over generations of children. With her soft colours and highly detailed panoramas, Moore has perfectly created the atmosphere set in Graham’s words. Her art leaves one in no doubt that the world is full of beautiful places and that adventures can and do lie just around the nearest corner if you know how to look for them.