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Dear Book Lovers, Welcome! I am delighted that you have found The Through the Looking Glass blog. For over twenty years I reviewed children's literature titles for my online journal, which came out six times a year. Every book review written for that publication can be found on the Through the Looking Glass website (the link is below). I am now moving in a different direction, though the columns that I write are still book-centric. Instead of writing reviews, I'm offering you columns on topics that have been inspired by wonderful books that I have read. I tell you about the books in question, and describe how they have have impacted me. This may sound peculiar to some of you, but the books that I tend to choose are ones that resonate with me on some level. Therefore, when I read the last page and close the covers, I am not quite the same person that I was when first I started reading the book. The shift in my perspective might be miniscule, but it is still there. The books I am looking are both about adult and children's titles. Some of the children's titles will appeal to adults, while others will not. Some of the adult titles will appeal to younger readers, particularly those who are eager to expand their horizons.

Friday, February 10, 2017

Poetry Friday with a review of Moo

Writing a novel written  in verse is a challenge most authors would think twice about taking on. The wonderful thing is that this writing form seems to be gaining popularity. I see more and more novels written in verse every year, which I think is wonderful. Sharon Creech is a master of this form and I am delighted to bring you my review of her latest book, Moo. On these pages you will meet a stubborn cow, a difficult old lady, and two children who somehow have to figure out how to get along with them both.

Moo: A NovelMoo
Sharon Creech
Poetry
For ages 8 and up
HarperCollins, 2016, 978-0-06-241524-0
One summer’s day Reena, her brother Luke and her parents are sitting in the family car stuck in a traffic jam. The noise, smells, and heat of the city throbs around them. Reena’s mother then asks her husband a question, one that ends up having huge consequences later. The question is, “do you still like reporting?” It turns out that Reena’s dad doesn’t really like his work anymore. Renna’s mother then suggests that they should “get out of here,” and when her husband asks where they should move to, Reena is the one who says that they should move to Maine.
   To everyone’s surprise that is exactly what they do. They sell up, pack up, and drive north, and soon enough they are living in a small coastal town where Reena and Luke can safely ride their bikes everywhere. They ride past a farm and watch as groups of teenagers work with the animals, taking care of them as needed. Including the cows. The cows that are so big and intimidating.
   Reena’s mother gets to know an elderly and rather eccentric lady called Mrs. Falala and she asks her children to take her some books. Neither Reena or Luke want to go because the old lady scares them, but they do as they are told. The visit does not go well. Mrs. Falala upsets Luke, Reena comes to his defense, and both the children are told to leave.
   As a result of this unfortunate encounter, Reena and Luke are volunteered (against their will) to help Mrs. Falala “for a while.” What does that even mean? Reena is almost afraid to ask. The first task the children are given is to shovel up piles and piles of cow manure. To say that it is a disagreeable job is an understatement. It is horrible, and Mrs. Falala does not thank the children for their help. Instead, she tells them “Tomorrow: cow.” What does that mean? Then there is the fact that they know “ZERO about cows.” The children’s parents think that this is a perfect opportunity for Luke and Reena to learn about cows. Of course they do.
   Sure enough the next day, after they have done a lot of chores, Luke and Reena see Zora the cow, and Reena even pats her on the head. Cautiously. Mrs. Falala tells the children that the following day they will “meet Zora for official.”
   Reena and Luke’s official first encounter with Zora shows the children that Zora is not a friendly beast. Or a nice one. Or a compliant one. She is an ornery animal who refuses to cooperate when Reena goes to bring her to the barn. Zora dodges the rope Reena tries to throw over the cow’s head, chases the children, and even head-butts Reena. When Mrs. Falala says that the children are “babies,” Luke loses his temper, takes the rope, and neatly drops it over the cow’s head. Then Renna is told to bring the cow into the stall. This does not go so well.
   Roping and bringing Zora into the stall is bad enough, but the next day Mrs. Falala says that she is expecting the children to show Zora at the fair. Surely this is a joke. Reena and Luke know nothing about showing cows at fairs. They have never even been to an agricultural fair.
   With each day that they spend at Mrs. Falala’s place, the children learn something new about cows, and farms, about Mrs. Falala, and about themselves. They never imagine that their interactions with the crabby old lady and the difficult cow will end up making their lives richer.
   Written using a combination of blank verse and prose, this wonderful book explores the ways in which the lives of two children change when they move away from the city and discover country living, and cows, for the first time. It is fascinating to see how the children’s attitudes change as they get to appreciate their new home, and how having new people and animals in their lives helps them to grow. 

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