The David Godine Blog Event Day One - A profile of the publishing house

This week I am going to be focusing on David Godine Inc, a publishing house that I have a particular interest in. Godine is turning 40 years old this year,  and I asked David Godine to tell us a little about the house and how it came into being. Here is his response. 

"Godine began publishing children’s books in 1975 on the suggestion of Roger Straus, one of our directors, who observed that we probably wouldn’t survive very long as a “literary” publisher unless we began publishing children’s books. I reacted by saying that a) I had no children, and b) I knew nothing about it; but he countered by insisting that you didn’t need half a brain, just a good eye. “Go to Frankfurt and wander around the foreign publishers and pick out a few good titles. You can’t do any worse than what you’re doing with poetry, and with any luck a few of the books you pick out will still be in print a decade later.”

How right he was. On that first trip, I saw the Dent edition of Dylan Thomas’s A Child’s Christmas in Wales illustrated by Edward Ardizonne and also, from a German publisher, a superb version of Peter and the Wolf. Both titles were subsequently selected as among the ten best children’s books of that year by the New York Timesand we thought, “This is easy! Just pick out a few good books, etc.”  It wasn’t true, of course, since publishing children’s books is not that easy, but over the years we have managed to attract some real talent and to publish their books with care and attention. The first titles by Mary Azarian, Barbara McClintock, and Kevin Hawkes were all issued by this company, and we have a strong list of important reprints that seem to have struck a real chord among readers. Most surprising among these have been the books written and illustrated by Daniel Beard (and one also by his sisters) in the late nineteenth century: the American Boy’s and American Girls Handy Book series, which have combined to sell over a million copies.

I am also proud of the classics we have rescued, most of them entirely reset and many of them newly illustrated. A short list would include William Steig’s classicRotten Island (the only example of Steig printed in Day-Glo colors), the only “complete text” edition of The Secret Garden, illustrated by Graham Rust, and, more recently, the immortal Captain Najork titles by Russell Hoban, illustrated by Quentin Blake, as well as Noel Langley’s The Land of Green Ginger (also illustrated by Ardizonne), and Elizabeth Goudge’s I Saw Three Ships. We have also actively bought softcover reprint rights to titles from the beloved Wendell Minor (Shaker Hearts andCat What is That?) and two New England classics by Donald Hall (Lucy’s Summer andLucy’s Christmas), which were illustrated by Michael McCurdy.

Several authors have been with us for quite a while now. We have five titles in print by the author / illustrator Glenna Lang, including her recent young adult biography of Jane Jacobs, Genius of Common Sense (in collaboration with Marjory Wunsch), and three titles by the illustrator Ilse Plume. And we continue to actively solicit and publish “first books” by unknown authors and illustrators. I would cite last year’sAbsolutely Wild, with linoleum cuts by Kim Cunningham, The Goat-Faced Girl, with gouache paintings by Jane Marinsky, and The Lonely Phone Booth, with its mid-century modern illustrations by Max Dalton, as three recent outstanding examples.

The program has never been large in terms of titles issued, but most have been kept in print and many have found their way into the homes and hearts of what is now an entire generation. Children’s titles are the one genre where creativity in design, writing, illustration, and production are apt to intersect. They are now, and will always remain, an area of vital interest to everyone working here."

Besty Red Hoodie Blog Event Day Four - A Writing Contest from Gail Carson Levine

I have a treat for all you writers out there today. Gail Carson Levine, who has written an excellent book about writing for children called Writing Magic, has kindly created a little writing exercise contest for you. This is her challenge:

When I talk to children about “Little Red Riding Hood,” I suggest they picture themselves in the place of Little Red.  Then I ask if they would listen to the wolf and leave the path.  They all say they wouldn’t.  I challenge them.  “What if the wolf was as clever as the smartest person you know?  Might he trick you into doing what he wants?”  They start weighing the possibilities.  I go on.  “What if the grandmother was your real grandma?  Would she let herself and you be eaten?”

This happens to be an excellent exercise in character development for writers of any age or experience, to replace fairy tale characters with real ones.  The real people by their natures force old stories to change and become more complex.  After all, even in a story you can’t make your brilliant best friend say something stupid or your stubborn cousin suddenly turn compliant.

The most important task in expanding fairy tales is to slow the action way down.  Imagine that the heroine just flung a cloak of invisibility around her shoulders.  What does the cloak feel like?  What’s the fabric?  Is there a label?  Wait!  Back up!  Can she even see the label, or does the cloak vanish the moment it’s touched?  What are her sensations as it envelops her?  Does invisibility happen instantly or creep up?  Can she continue to see herself even though others can’t?  And so on.

So here’s the challenge: In “Little Red Riding Hood,” Little Red meets a talking wolf.  Talking animals appear in many fairy tales, and they’re a source of wonder that you’re about to explore.  You’re Little Red approached by the wolf, who wants to delay her so he (or she) can get to Grandma’s first.  Write his opening line.  You can continue and write the whole scene, a short story, a novel.  Go for it.  But for the contest, his first statement is all that counts.

Please email your response to this challenge to me at editor@lookingglassreview.com. Five of you will be chosen to receive autographed copes of Writing Magic and Betsy Red Hoodie.

Please consider supporting me in the 2010 Portland Race for the Cure

I know that this is a blog about children's books, but it also a blog about children and their families. Thousands of children's lives are touched when members of their families get breast cancer. This Sunday I will be running in the Race for the Cure in Portland. My ten-year-old daughter and my husband will be walking in the 5k walk. Please consider sponsoring me in this race. Your support would be greatly appreciated.

by clicking here. 

My family and I before the race in 2009

Besty Red Hoodie Blog Event Day Three - An interview with Gail Carson Levine

For this third day in the Betsy Red Hoodie blog event I have an interview with Gail Carson Levine. 

Marya: The story of Little Red Riding Hood has been told dozens of times in dozens of different ways. Why did you decide to tell this story? 

Gail: I was looking for another story for Betsy the shepherd girl and Zimmo the shepherd wolf.  Their first book, Betsy Who Cried Wolf! was based on The Boy Who Cried Wolf, so I thought the second should also have folklore roots.  There’s tension in the original tale of Little Red Riding Hood, which is always a plus, and the story features three distinct characters, two separated by many years, and one by species.  And then I knew I’d bring in the sheep for a fourth contrast and for the mayhem they add to every moment.

 

Marya: Most of the versions of this story that I have read have been quite grim. In your tale, no one is eaten or is cut open with an ax. What made you decide to make this story an altogether happier tale? 

Gail: I knew Little Red Riding Hood when I was a child, and I was glad that the hunter pulled Little Red and her grandmother out of the wolf’s belly, but I wasn’t particularly troubled by their descent down his throat.  My parents never kept me from reading the story; they may even have read it to me themselves with an assurance that it was ‘just a story.’ Seems to me parents are more vigilant today, and I may have been especially hard to rattle.  Nowadays, told in all its gory detail, the story would succeed only as parody, so I took a softer approach, easier on the stomachs of all concerned!

Marya: One of the things that I liked in the book was the role the sheep play in it. They are wonderfully chatty and silly. Were they your creation?
Gail: In this book, yes, but not in Betsy Who Cried Wolf.  In that book, I didn’t expect the speech bubbles, but Scott Nash made them up, and I filled them in, a felicitous collaboration.  In Betsy Red Hoodie, I knew what to expect, so I wrote sheep speech from the get-go, and Scott obligingly made room for them.

Marya: This book is presented in a very unique way with full page illustrations, multiple panel spreads, and pages that look much like a cell in a comic book strip. How did this format come about?
Gail: All the credit goes to illustrator Scott Nash.  Going back to the first book again, I didn’t anticipate the look or expect either a contemporary setting or sheep and wolves who stand on two legs.  I was astonished!  But I loved the innovations.  Scott has outdone himself in Betsy Red Hoodie by dressing Zimmo so nattily and giving the sheep stout shoes, hats, backpacks, and in the case of one sheep, a guitar.

Marya: You clearly have a fondness for fairy tales. Where did this fondness come from?
Gail: As a child I adored fairy tales.  I loved the exoticism - the seven-league boots, the maidens and princes becoming toads, the fairies, the magic wands, the genies in old lamps (I could go on and on), the nonstop action, and, I think without realizing, the deep themes - love, danger, transformation, courage, and much more.  Today I’m still drawn to the magic and the deep themes.  I love to stretch the tales out, add detail, and tell myself a story.

Marya: You have written a book called Writing Magic for people who are interested in writing for young readers. Tell us a little about the book. Do you enjoy helping people explore the world of writing for children?
Gail: I love to think, write, talk, dream about writing. Writing Magic can be used by adults to write for children or by adults to write for adults, but its target audience is children who’ve been bitten by the writing bug.  I’ve been volunteering locally for about twelve years, teaching creative writing to kids ten and up.  After six years I decided to put what I’d learned in teaching into a book that is full of the exercises I’d developed.  Writing is both hard and marvelous, the best road to self-knowledge I know of.  I want to hold the reader’s hand and set off together down the uneven, bumpy, exhilarating writing road.

Thank you so much Gail for this wonderful interview. 

Betsy Red Hoodie Blog Event Day Two - A profile of Gail Carson Levine

Gail Carson Levine is convinced she’s been touched by a fairy’s wand or has roamed accidentally into a fairy tale.  After working as a mid-level bureaucrat in New York State government for twenty-seven years, Levine’s first children’s book, Ella Enchanted, won a Newbery honor in 1998 and became a major motion picture in 2004.

The magic continues.  Levine now has eighteen books under her belt.  They’ve been published globally and translated into thirty-five languages.  She’s won reader choice awards - the most gratifying for a kids’ book writer because children do the choosing - in six states.  Her novels have been named annual Best Books by School Library Journal, Publishers Weekly, Los Angeles Times, and the American Library Association.  Levine’s historical novel, Dave at Night, was selected by the New York Public Library as among the Best Children’s Books of the 20^th Century.  Her “Snow White” fairy tale, Fairest, was named a New York Times Book Review Editors’ Choice, a Los Angeles Times Favorite Book of the Year, and a Boston Globe Top 5 Young Adult Novels in New England.  The nonfiction Writing Magic was named a Bank Street College Children’s Book of the Year.  The excellence of Levine’s prose has been hailed with starred reviews in Booklist, School Library Journal, Publisher’s Weekly, and Kirkus.  Her books’ popularity shows on the bestseller lists: New York Times, Publishers Weekly, Indie Bound, Amazon, and Book Sense.

Levine’s passion for writing has extended into teaching writing to children and young adults.  Every summer she teaches a free fiction-and-poetry writing workshop for kids ten and up in cooperation with her local public library.  Children return year after year, and Levine is always delighted at their growth as writers.  She’s expanded her teaching range with her blog and by visiting schools across the country and around the world; she has spoken to school children in Canada, Hong Kong, Shanghai, Taiwan, Bangkok, Germany, and Italy.

Levine grew up in New York City.  Today, she and her husband David Levine and their Airedale Baxter live in a 220-year-old farmhouse in New York's Hudson Valley.  Over the living-room fireplace hangs a gargoyle-like carved wooden lion’s head from an early Barnum and Bailey circus wagon.  The lion may be the keeper of the enchantment.


To find out more about Gail please visit her blog and her website.

Roald Dahl's birthday is today! A Review of the new Roald Dahl Book

Roald Dahl was born on this day in 1916. He was a British novelist, short story writer, fighter ace and screenwriter of Norwegian parentage. Born in Llandaff, Cardiff, Wales, to Norwegian parents, he served in the Royal Air Force during the Second World War, in which he became a flying ace and intelligence agent, rising to the rank of Wing Commander. He rose to prominence in the 1940s with works for both children and adults, and became one of the world's bestselling authors. His short stories are known for their unexpected endings, and his children's books for their unsentimental, often very dark humour.

Some of his better-known works include James and the Giant Peach, Charlie and the Chocolate Factory, Fantastic Mr Fox, Matilda, The Witches, and The BFG.

Recently Penguin released a book featuring some of Roald Dahl's writings that have never been published in book form before. Here is my review of this delightful book. 

The Missing Golden Ticket and other Splendiferous Secrets

Roald Dahl

Illustrated by Quentin Blake

Fiction

Ages 8 and up

Penguin, 2010, 978-0-14-241742-3

   Once upon a time, an author called Roald Dahl wrote a book about a boy who goes to a chocolate factory. He falls into a vat of chocolate and is turned into a chocolate figure. Wait a minute…that’s not how it goes! No, it isn’t, but that is how Roald Dahl first wrote Charlie and the Chocolate Factory. After many revisions, he ended up with the story that so many of us know and love. However, before that came about, Roald Dahl had to make a lot of changes, and this included cutting out several characters from the story. He began with “ten horrid little boys and girls,” and ended up with the five that have since become famous: Augustus Gloop, Veruca Salt, Violet Beauregarde, Mike Teavee, and Charlie Bucket. He originally called the little people living in the factory Whipple-Scrumpets. Later this name was changed to Oopa-Loopas. He had a whole chapter about “Spotty Powder” that never made it into the book.

   In this fact-filled book, Roald Dahl fans will find out all kinds of things about Roald Dahl’s famous book, Charlie and the Chocolate Factory. In addition, there are musings from Dahl about the months of the year, scrumptious facts about chocolate, and a recipe for Mr. Wonka’s Strawberry-flavored Chocolate-coated Fudge. There is a list of Roald Dahl’s favorite things, a chapter about Quentin Blake (who illustrated many of Roald Dahl’s books), and excerpts from young Roald’s school reports – which are quite shocking! Readers will find out what Roald Dahl thought of chocolate, Roald Dahl’s secret writing tips, and what he thought of Quentin Blake. And there’s more!

   In short, this book is a must for anyone who likes Roald Dahl’s books. Be prepared to be amused, excited, and, of course, gobsmacked.

   

Betsy Red Hoodie Blog Event Day One - A review

Welcome to Day one of the Betsy Red Hoodie Blog Event. Betsy Red Hoodie is a splendid picture book that was written by Gail Carson Levine, the author who gave us Ella Enchanted and many other magical books. Here is my review of the book.

Betsy Red Hoodie
Gail Carson Levine

Illustrated by Scott Nash

Picture Book

Ages 4 to 8

HarperCollins, 2010, 978-0-06-146870-4

   One morning Betsy’s mother asks Betsy to take come cupcakes to Betsy’s grandmother’s house. Betsy is one of the shepherds in Bray Valley, and it is her responsibility to take care of the sheep. Not wanting to leave the sheep all alone, Betsy decides takes the sheep with her. Zimmo, the other shepherd in the valley, wants to go with Betsy. At first, Betsy is reluctant to allow it. After all, Zimmo is a wolf, and everyone knows that wolves and grandmothers do not mix. However, Betsy then decides that Zimmo can join the party because he has always been a most trustworthy wolf.

   Twice along the way to Grandma’s house Betsy is warned that it is not a good idea to take Zimmo along, but Betsy doesn’t change her mind. Then Zimmo runs off and leaves Betsy with all the sheep to care for. Betsy is terrified that Zimmo might be giving in to his wolfish side at Grandmother’s house, but she cannot abandon the sheep who are in her care.

   In this amusing and entertaining take on the Little Red Riding Hood story, we meet a little girl who has courage, a secretive wolf, and a herd of chatty and not terribly bright (but rather funny) sheep. Readers who think they know what is going to happen in the end are sure to be surprised when they discover that all is not what it seems.

   For this book, Scott Nash’s delightful illustrations are presented in very unique way. There are full-page illustrations, divided panes, and spreads where all the characters have speech bubbles floating above their heads.  You never quite know what is going to come next.

  

In the next four days this Blog Event will continue with an interview with Gail, a profile of Gail, and a writing contest that Gail very kindly created just for TTLG readers.

Poetry Friday - A review of Lunch Box Mail and other Poems

Happy Friday everyone. I have an uplifting collection of poems for you today for Poetry Friday. Hope you enjoy it!

Lunch Box Mail and other poems

Jenny Whitehead

Poetry

For ages 4 to 8

Henry Holt, 2001, 0-8050-6259-9

   A child’s year is full of high moments and low ones. There are happy days full of grand adventures, and there are dark days when nothing seems to go right. This collection of poems explores all kinds of days in the lives of children of all ages.

Our poetical journey begins with that first day of school when there are “brand-new rules,” and “nervous knees,” and “shiny shoes.” Then there is that dreaded visit to the doctor when the child is coughing and sneezing. He does not want that dreaded “icy stethoscope” which “hops up my front and down my back.” And don’t forget those bad hair days. What is a kid supposed to do when she plays “hairdresser” “on a whim” and ends up with a lot less hair than is desirable?

Thankfully, these more stressful moments are balanced by moments that are full of discoveries and laughs. There is that wonderful moment when a child learns to read. All of a sudden, stop signs, labels on shipping crates, license plates, books, and other things are full of words that make sense. Who knew that reading could be so incredible? There are all those wonderful little notes that appear in lunch boxes from Mom and Dad. There are notes of love, good luck wishes, and even an April Fool.

In this collection of poems, Jenny Whitehead gives her readers glimpses into the lives of children. We share their likes – ice cream – and dislikes – “waiting for birthdays.” Best of all we can  enjoy all the ways that Jenny plays with words to make her poems interesting, funny, calming, and silly. 

The Dear America Books - The series is re-launched by Scholastic

When I first started reviewing books I discovered a series of books that really interested me. They were the Dear America historical fiction books. In this series authors use a diary style format to tell the story of a young person who lived in the past. There is a book about a girl who was on the Titanic, a dust bowl diary, a suffragette diary, a WWII diary, a California gold rush diary, an many more. Now the publishers of this series, Scholastic, are re-launching the series. Here is the information Scholastic sent me about this re-launch.

SCHOLASTIC RE-LAUNCHES ACCLAIMED

DEAR AMERICA® HISTORICAL FICTION BOOK SERIES THIS FALL

WITH NEW PUBLISHING AND ADDITIONAL ONLINE CONTENT PROVIDED BY THE LIBRARY OF CONGRESS

NEW YORK — September 8, 2010 — Scholastic, the global children’s publishing, education and media company, announced today that it will re-launch the acclaimed and bestselling Dear America® historical fiction series this fall with a combination of all-new publishing and re-issues of classic Dear America titles—plus an exciting new interactive website with historical content provided by the Library of Congress.

Originally launched in 1996, the original Dear America series for readers ages 8 – 14 has more than 14 million copies in print. Written by an array of award-winning and bestselling writers, the Dear America books are presented in diary format from the perspective of girls living at different times in American history. Publication of the series ended in 2004, and fans, booksellers, educators, and parents have requested that the series be brought back into print. The series will re-launch in September 2010 with The Fences Between Us, an all-new story set in the Pacific Northwest during WWII by Newbery Honor author Kirby Larson. Also to be reissued this fall are two classic Dear America titles: A Journey to the New World by bestselling author Kathryn Lasky and The Winter of Red Snow by bestselling author Kristiana Gregory. Both new and re-issued favorites will be published seasonally.

In cooperation with the Library of Congress, Scholastic will further expand the series with two new dedicated Dear America websites; one for fans, one for educators, both launching in September 2010. The Dear America website (www.scholastic.com/dearamerica) for fans will be a fully interactive online community. The site will feature interactive scrapbooks for each Dear America character with online fashion galleries, crafts, recipes, as well as fun downloads. In addition to other games, quizzes, book excerpts, and author interviews, there will also be a moderated “living diary” blog and message board for fans.

      Simultaneously, Scholastic and the Library of Congress will offer teachers and librarians a wealth of lesson plans, historical documents and archival photos, and other teaching resources at the educator site (www.scholastic.com/teachdearamerica). The site also features timelines, author videos, discussion guides, and more, bringing the history in each book to life.  

      “Since its launch in 1996, the Dear America series has been embraced by readers and educators for its combination of rich storytelling and historical accuracy,” said Ellie Berger, President of the Trade Publishing division of Scholastic. “We are pleased to reintroduce this beloved book series by award-winning authors with the added dimension of a rich online experience through our relationship with the Library of Congress.”

“The Library of Congress is excited about this opportunity to collaborate with Scholastic on the re-release of the classic Dear America series,” said Laura Campbell, Associate Librarian for Strategic Initiatives.  “Combining these compelling stories with the Library’s unparalleled primary source collections will help make history more accessible and engaging for teachers and students alike.”

About The Library of Congress

Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.

About Scholastic

Scholastic Corporation (NASDAQ: SCHL) is the world’s largest publisher and distributor of children’s books and a leader in educational technology and related services and children’s media. Scholastic creates quality books, print and technology-based learning materials and programs, magazines, multi-media and other products that help children learn both at school and at home. The Company distributes its products and services worldwide through a variety of channels, including school-based book clubs and book fairs, retail stores, schools, libraries, on-air, and online at www.scholastic.com.

September 2010

DEAR AMERICA: The Fences Between Us (NEW)

By Kirby Larson

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-22418-5 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-24954-6 (Audio)

ISBN: 978-0-545-26232-3 • $15.99 (Library Edition)

DEAR AMERICA: A Journey to the New World

By Kathryn Lasky

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-23801-4 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-26233-0 • $15.99 (Library Edition)

DEAR AMERICA: The Winter of Red Snow

By Kristiana Gregory

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-23802-1 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-26234-7 • $15.99 (Library Edition)

November 2010

DEAR AMERICA: Voyage on the Great Titanic

By Ellen Emerson White

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-23834-2 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-26235-4 • $15.99 (Library Edition)

January 2011

DEAR AMERICA: Like the Willow Tree (NEW)

By Lois Lowry

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-14469-8 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-27371-8 (Audio)

ISBN: 978-0-545-26556-0 • $15.99 (Library Edition)

DEAR AMERICA: A Picture of Freedom

By Patricia C. McKissack

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-24253-0 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-26555-3 • $15.99 (Library Edition)

March 2011

DEAR AMERICA: A Light in the Storm

By Karen Hesse

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-24245-5 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-26554-6 • $15.99 (Library Edition)

April 2011

DEAR AMERICA: When Will This Cruel War Be Over?

By Barry Denenberg

Scholastic Inc. • Ages 8-14

ISBN: 978-0-545-27598-9 • $12.99 U.S. (Hardcover)

ISBN: 978-0-545-27944-4 • $15.99 (Library Edition)

Busing Brewster - A review

This morning my daughter had her first day of school. I tied her hair ribbons and admired her outfit, took her photograph by the front door, and watched her bounce around with her friends in her new classroom. I was reminded that we are so lucky to live in a place where going to school is easy. My daughter does not have to go to school secretly the way girls in some counties have to do. Her African American classmates can come to school knowing that they will be welcomed and appreciated. As I looked at my daughter's happy and excited face I was reminded of a book that I read just a short time ago about a little boy who had a very different first day of school. 

Busing Brewster

Richard Michelson

Illustrated by R. G. Roth

Picture Book

Ages 4 to 8

Random House, 2010, 978-0-375-83334-2

   This fall Brewster is going into first grade at Franklin elementary, and Miss Evelyn is going to be his teacher. Brewster’s brother Bryan teases him, telling him that Miss Evelyn is mean, but Brewster knows that in real life Miss Evelyn is a very nice teacher.

   Then one day Brewster’s mother tells her sons that they will be going to Central instead of Franklin. Central is a white school where there are “rooms for art and music and a roof that doesn’t leak.” Bryan is very upset about this change in his life. He does not want to have to ride on a bus for an hour to get to the new school. He doesn’t want to go to a school where there “Ain’t no Negroes.”

   When Bryan, Brewster and the other African American students arrive at Central, they are given a very rude welcome. Rocks are thrown through the bus windows, white people are demonstrating outside the school, and two policeman are standing on guard at the door. The school day hasn’t even started before Bryan gets into trouble with a white boy called Freckle-face. One of the policemen escorts Bryan, Freckle-face, and Brewster to the library, and Brewster discovers a whole new world that inspires him to dream of new possibilities.

   This memorable book looks at what it was like to be a part of the desegregation of schools in America. In addition, it shows readers how books can open up doors in the minds of children; books can help children to see that they do have the power to change their world if they want to.

You can visit the author on his website and on his Facebook page.