Celebrating Library week with Lee Bennett Hopkins

 

From School People edited by Lee Bennett Hopkins 

This week we are celebrating libraries and the wonderful people who work in them. April is also poetry month, so today I am bringing you a book of poetry that just happens to be all about libraries, librarians, and the people who discover that libraries truly are magical places. 

The late and much loved children’s writer and educator Lee Bennett Hopkins was a devoted promoter of poetry for children. He was born in Scranton, Pennsylvania, and lived with his mother and siblings in a low-income housing project in Newark, New Jersey, after his parents divorced. Lee attended Kean University and earned an MS from Bank Street College of Education. His interest in poetry as an educational tool in the classroom led to his work as a classroom resource coordinator; he also worked as an editor at Scholastic before becoming a full-time writer and editor of anthologies. Leecompiled more than 100 anthologies of poetry for children.

Lee established the Lee Bennett Hopkins Poetry Award and the Lee Bennett Hopkins/International Reading Association Promising Poetry Award to recognize outstanding writing for children.

Jumping Off Library Shelves 

Selected by Lee Bennett Hopkins

Illustrated by Janet Manning 

Poetry Picture Book

For ages 5 to 7

Boyds Mills Press, 2015, 978-1590789247

A library is a special place. Some people think it is ‘just’ a repository for books, a storage place perhaps, but they are wrong. Thanks to the books in a library, people can find information, they can travel to distant lands, and have grand adventures. They can take a break from the world, and spend some quiet time immersed in wonderful words.

   For this marvelous salute to libraries, Lee Bennet Hopkins has brought together poems written by a wonderful selection of poets. On the pages of this book we will meet children for whom their library is a special place. With their library cards in hand - the card that is “more powerful” than a cell phone, a TV remote, or a hundred apps - children find treasures that invite them “to explore” and “to dream.”

   To help young readers in their search for a good read, there is the librarian who, by some magical ability, is always able to help a child find “the perfect book.” Somehow the librarian is able to read a child, like words on a page, and know what he or she needs.

   The library is also a place where you will find storytellers who are able to make “words / leap from pages,” as they read out loud. With the storyteller for company, children make friends with a frog and toad, and they can “walk / down a / yellow brick road.” During their storytimes they are able to believe in “once-upon-a-time” and “happily ever after.”

   There is something for everyone in a library. On the shelves there are dictionaries, books of poetry, fairy tales and so much more. And when night falls, and all the people have left the library, other little beings come out to partake of the library’s treasures.

   This wonderful collection of poems take us into the world of libraries. We enter the library as “Morning pours spoons of sun” onto the shelves, and then leave when “night falls / outside / a / window.” As we close the book we are left with a comfortable feeling, and a yearning to visit our local library where book wonders await us.

Happy Birthday, Richard Peck, author extraordinaire.

 

I read my first Richard Peck novel, the one reviewed below, in 2000, and I have been a fan of his work ever since. This novel A Long Way from Chicago: A Novel in Stories is the first book in a trilogy featuring, among others, the unstoppable Mrs. Dowel. It is the kind of story both young readers and adults will enjoy. Indeed, many of Richard Peck's mid-grade and young adult novels will appeal to adults because their themes are so universal and so pertinent for people of all ages and backgrounds. I strongly urge to get a copy of this book. You will love it. Richard Peck was an incredibly gifted author whose writings made me both laugh out loud and weep a little weep. He wrote books in several genres for young readers, and he also wrote adult fiction and nonfiction.  

   Richard Peck wrote his first line of fiction the day he quit his junior high school teaching job. The year was 1971 and Peck was thirty-seven years old. Teaching had reacquainted him with the challenges of being young: “As adults, we want young people to start looking for themselves, but they only want to look for leaders.”

   He remembers when life was different. “When I was young, we were never more than five minutes from the nearest adult, and that solved most of the problems I write about for a later generation living nearer the edge.” In fact, he remembers the year when everything changed. “I was teaching. It was the second semester of the 1967-68 school year. The change was due to many things: the collapse of family structure, the politicization of schools. . . . But, the authority of the peer group began to replace adult authority, and children quickly learned that they dare not be better achievers than their leaders in the peer group,” he explains. “You only grow up when you’ve walked away from those people. In all my novels, you have to declare your independence from your peers before you can take that first real step toward yourself.”

   Peck calls the September 11 terrorist attacks on New York and Washington, D.C. “the only historic event that had ever happened” in the lives of his current readers. While the event briefly registered with them, he doesn’t see much difference in their lives or attitudes six months later. “This was not an attack on their peer group. When it didn’t impact them directly, then that was all. For these reasons--and so history does not repeat itself--there’s a real need for a greater sense of history in our schools.” Speaking and visiting in schools has inspired him to write historical fiction. “I am nudged by the ignorance of the young about the past,” he says. “I think the origin of history begins with your own roots,” he adds. With extended families often living miles apart, he makes sure to provide grandparent figures for his readers: “I try to include an elderly person in each of my books. These characters are tough, they’re fun, they’re outrageous, and they have survived. They’re what we wish for in our grandparents.”

   Peck was born in Decatur, Illinois, attended the University of Exeter in England, graduated from DePauw University, and served in the U.S. Army before becoming a teacher. The acclaimed author of 35 novels for children and young adults, he won the Newbery Medal for A Year Down Yonder, a Newbery Honor for A Long Way from Chicago, the Scott O’Dell Award for The River Between Us, the Edgar Allen Poe Award for Are You in the House Alone?, a Boston Globe-Horn Book Award Honor for The Best Man, and the Christopher Medal for The Teacher’s Funeral. He was the first children’s author ever to have been awarded a National Humanities Medal, and was twice a National Book Award Finalist.

   The world lost a truly great writer when Richard Peck left us in 2018 at the age of 84

A Long Way from Chicago: A Novel in Stories 

Richard Peck

Fiction

For ages 12 and up

Penguin, 2000, 978-0141303529

Joey and his sister Alice have always known that their Grandma Dowdel is a tough old lady, but it is only when they start spending time with her in the summers that they get a real sense of how tough she is. The country is in the grip of the Great Depression and times are hard. Grandma Dowdel, like so many other people, has to adapt to the changing circumstances. Some things don’t change though; Grandma Dowel pretty much always gets what she wants – in the end. Joey and Alice are shocked to discover that there is very little that Grandma Dowdel won’t do to get her own way. She will intimidate, blackmail, bully, lie, and steal, among other things, and she will do it all with great aplomb and not the slightest bit of regret.

   They also discover that their large overall-wearing grandmother has soft spots. She will not tolerate bullies, she does her best to help those in trouble, and in her own crusty way she takes care of the people she cares about.

   In the nine summers that Joey and Alice go to visit their grandmother, they see their first dead body, they watch their grandma fire a shotgun, they see the sheriff in his underwear, they impersonate a ghost, they feed hungry hobos, and they 'borrow' a boat so that they can poach fish.

   Laugh out loud scenes and larger-than-life characters make this book a joy to read. At the same time, it is thought-provoking, and it paints a portrait of a very hard time in America’s history. Grandma Dowdel is a force of nature whom the reader will be compelled to admire. Surely we would all be better off if we had a Grandma Dowdel in our lives.

Jane Goodall - Scientist, Environmentalist, Writer, and Reader

Illustration by Petra Braun 

When I was a student at the University of Oxford studying zoology, Jane Goodall, the famous primatologist, came to town to sign her latest book at Blackwells, Oxford's most marvelous bookshop. Naturally I went to the signing, and as the line was not too long I was able to have a short talk with Dr. Goodall. She was a very slender, almost fragile, looking lady with a soft voice. She looked at me with her penetrating eyes as I stumbled over my words, blushing furiously "Take a breath," she said smiling and tilting her head slightly to one side. Her words made me laugh, and after that I was able to tell her how the books she, Gerald Durrell, and David Attenborough had written had set me on my current path. 

   Later that evening I was invited to attend a gathering that was being held in her honor. Dr. Goodall has difficulty remembering faces and yet for some reason she remembered mine. "Ah, the reader," she said looking at me. She asked if I had ever visit Gerald Durrell's zoo on the island of Jersey, and I told her about how I had worked there for a whole summer. We chatted about my experiences there briefly and then she moved on. Dr. Goodall gave a talk about her new book and I remember feeling deeply moved by the words of this unassuming woman, who was so determined to do all she could to protect the chimpanzees that she had studied for so many years. I could see that Dr. Goodall was the kind of woman who would fight, tooth and nail, in her own quiet way, to protect the animals of this world. She was, and is, an inspiration. 

   Not surprisingly, it turns out that Jane Goodall is also a great reader. In 2020 Enchanted Lion published a book called A Velocity of Being: Letters to a Young Reader. In it, artists, writers, scientists, philosophers, philanthropists, musicians, and businesspeople who have been lifelong readers offer letters to children in which they talk about their love of reading. Jane Goodall wrote one of these letters. 

Dear Children,

I want to share something with you — and that is how much I loved books when I was your age. Of 

course, back then there was no Internet, no television — we learned everything from printed books. We didn’t have much money when I was a child and I couldn’t afford new books, so most of what I read came from our library. But I also used to spend hours in a very small second hand book shop. The owner was an old man who never had time to arrange his books properly. They were piled everywhere and I would sit there, surrounded by all that information about everything imaginable. I would save up any money I got for my birthday or doing odd jobs so that I could buy one of those books. Of course, you can look up everything on the Internet now. But there is something very special about a book — the feel of it in your hands and the way it looks on the table by your bed, or nestled in with others in the bookcase.

I loved to read in bed, and after I had to put the lights out I would read under the bedclothes with a torch, always hoping my mother would not come in and find out! I used to read curled up in front of the fire on a cold winter evening. And in the summer I would take my special books up my favorite tree in the garden. My Beech Tree. Up there I read stories of faraway places and I imagined I was there. I especially loved reading about Doctor Doolittle and how he learned to talk to animals. And I read about Tarzan of the Apes. And the more I read, the more I wanted to read.

I was ten years old when I decided I would go to Africa when I grew up to live with animals and write books about them. And that is what I did, eventually. I lived with chimpanzees in Africa and I am still writing books about them and other animals. In fact, I love writing books as much as reading them — I hope you will enjoy reading some of the ones that I have written for you.

Jane Goodall

More about Jane Goodall's Work

You can find out more about Dr. Goodall and her work on the Jane Goodall Institute website. In addition she has created a special global organization called Roots and Shoots who mission is to "empower young people to affect positive change in their communities." 

You can hear her read some of her children's books on her story time page . Here is more information about her books on the Astra Publishing House website. 

Happy Poetry Month - A review of Classic Poetry

Dear Friends, 

Happy April and happy Poetry Month.

   When I was little, my father used to read to me. He had such a beautiful reading-aloud voice that I would sit and listen, taking in every syllable. One of the things that he liked to read to me was poetry. I had a collection of classic poetry, and we had such a marvelous time exploring the language in the poems of Robert Louis Stevenson, Walter de la Mare, Emily Dickinson, T.S. Eliot, Robert Frost, and others. 

   When my daughter was little I bought her the book that I have reviewed below, and she and I shared the same wonderful experiences. I reconnected with old friends, and made new ones, and to this day we will quote lines from some of the poems to each other, even though she is now an adult, living far away. 

Classic Poetry   

Selected by Michael Rosen

Illustrated by Paul Howard 

Poetry

For ages 8 and up

Candlewick, 2009, 978-0763642105

In this day and age so many of us expect to be constantly entertained when we read. We like titles that have a fast-paced plot, ones that will keep us engaged all the way through the book. We are less willing to explore words and the images and emotions that they describe or conjure up. Because of this tendency, we often miss out on some wonderful stories, and we completely bypass poetry. Reading poetry can take a little more work; it is a little more demanding than a simple narrative. At the same time, poetry can give us a wonderfully rich literary experience.

   For this book Michael Rosen, one of Britain’s Children’s Laureates, has selected classic poetry written by some of the world’s most wonderful English language poets. Some of the poets will be known to the reader, like William Shakespeare and Lewis Carroll, while others will become new friends.

   For each poet Rosen has written a short biography, and so this book is “not only a book of classic poetry; it is also a book of classic poets.” For some of the poets Rosen has chosen more than one poem, and this will help the reader get a richer picture of what the poet cared about.

   In addition to reading poems about Ozymandius, the Mock Turtle, Paul Revere’s Ride, The Jumblies, and much more, readers can read the poet’s biographies, looks at portraits of them, and admire the art that Paul Howard has created to accompany the poems.

   This is a title that young and nor-so-young readers will dip into again and again, and it is a book that they will surely enjoy for many years to come.

Please look after this bear.

In the late 1930s-1940s, Michael Bond, author of Paddington Bear, saw Jewish refugee children (Kindertransport children) walking through London's Reading Station, arriving in Britain escaping from the Nazi horrors of Europe. 

Mr. Bond, touched by what he saw,  recalled those memories 20 years later when he began his story of Paddington Bear.  One morning in 1958, he was searching for writing inspiration and simply wrote the words: “Mr. and Mrs. Brown first met Paddington on a railway platform…” 

“They all had a label round their neck with their name and address on and a little case or package containing all their treasured possessions,” Bond said in an interview with The Telegraph before his death in 2017. “So Paddington, in a sense, was a refugee, and I do think that there’s no sadder sight than refugees.”

Paddington Bear - known for his blue overcoat, bright red hat, and wearing a simple hand-written tag that says “Please look after this bear. Thank you,” Paddington embodies the appearance of many refugee children. His suitcase is an emblem of his own refugee status. 

“We took in some Jewish children who often sat in front of the fire every evening, quietly crying because they had no idea what had happened to their parents, and neither did we at the time. It’s the reason why Paddington arrived with the label around his neck”. 

Michael Bond died in 2017 aged 91. The epitaph on his gravestone reads "Please look after this bear. Thank you."

Please look after all the young Bears from all around the world who are having to flee conflict and war. 

Shared from @DavidLundin

Books for Refugee Children

 

Art by Sophie Blackall

Long ago, but what sometimes feels like yesterday, my family and I fled a war-torn country as refugees. We were lucky in that we were able to take a few trunks full of our possessions with us. Most refugees can only take what they can carry. My mother packed a few of my books, but most of them were left behind and this broke my six-year-old heart. I loved my books. They were my friends, and on their pages I could forget about my problems for at least a little while. 

When your world has been turned upside down, books can offer a child a great deal of comfort. I know this from personal experience.

Here is an article from Publisher's Weekly 

Polish Literacy Foundation Leads Relief Efforts for Ukrainian Kids

By Joanne O’Sullivan 

A child alone, afraid, far from home. With a mother, maybe. Maybe without a father. In a time like this, research shows, a book can offer “a moment of peace, a way to forget,” said Maria Deskur, CEO of Poland’s Fundacja Powszechnego Czytania (Universal Reading Foundation). The Foundation—a collective of more than 20 Polish publishers and distributors—is leading an effort to supply books to Ukrainian refugee children in Poland and funds to Ukrainian publishers.

In the days since the Russian invasion of Ukraine, it’s estimated that more than half a million refugees have poured into Poland. About 100,000 are believed to be children. In addition to families, Ukrainian orphanages have been evacuated, and children have been newly orphaned by the war. Deskur—also managing director of children’s publisher Wydawnictwo Słowne—says that virtually everyone in Poland has sprung into action to help—taking refugees into their homes, volunteering at the border or in shelters, supplying material and financial support. Within the publishing industry, the response was almost immediate.

Initial efforts centered on collecting donations of picture books and coloring books from Polish publishers—“books you don’t have to read,” Deskur said. The Foundation is uniquely positioned to help. Formed in 2018 to promote early childhood literacy in Poland, its members are at the heart of the Polish publishing industry, and include Dwie Siostry, publisher of the international bestseller Maps by Aleksandra and Daniel Mizielinski. With its established distributor connections and warehouse and transportation resources, member organizations were able to quickly deliver books to relief groups.

Within days, though, the effort had expanded. Foundation members collected contact information for close to 40 Ukrainian publishers of children’s and adult books. Ukrainian publishers began to email book files to Polish printers who volunteered to print them for free. Eight books—with print runs of 1,000 each—are expected to be delivered on March 8. The books are “warm stories,” Deskur said, a mix of picture books and story books for the youngest children. Foundation member Nowa Era—Poland’s largest educational publisher—offered its network of representatives (connected to virtually every Polish preschool) as well as its distribution channels to get books to schools where Ukrainian refugee students are expected to enroll. To reach kids who won’t yet be in schools, Deskur has relied on her contacts with Poland’s union of municipalities, whose member organizations are in charge of local shelters. The Foundation is also responding to direct requests for books from individuals. Deskur said she heard from a man who had taken in 12 refugee children and wanted a book for each. ”We will try to answer all requests,” she added.

Deskur expects the Foundation’s efforts to be ongoing, emphasizing that in addition to supplying books to kids, financial support for Ukrainian publishers is critical. During World War II, the destruction of Polish books and libraries was widespread and the country’s publishing industry was decimated, she said. After the war, publishing had to begin again from scratch. That rebuilding had effects on the country’s literacy rates that are still felt today. According to the Foundation’s research, Poland lags behind its European neighbors in childhood literacy. Financial support for Ukrainian publishers now can help reduce harm to the sector so that kind of intergenerational impact can be avoided. But there’s an even bigger picture issue at play, Deskur said, since books are essential to democracy.

Depending on the success of fundraising efforts, the Foundation hopes to be able to pay Ukrainian publishers between one and three euros per book for each printed. All printing, distribution, and coordination efforts by Polish companies have been donated, meaning there’s no overhead and 100% of donated funds can go to Ukrainian publishers, Deskur said. While the Foundation aims to prioritize children’s books, its efforts include all publishers.

For the people of Poland, Deskur said, the war is “very near.” While urgent needs for food, shelter, and medical attention are being addressed by aid organizations, Deskur said the Foundation can offer children emotional support through books. As Foundation member publishers have reached out to their international partners, support is beginning to come in from outside Poland. Caldecott Medalist Sophie Blackall has donated an illustration to help the effort. “I heard about the Fundacja Powszechnego Czytania from Christopher Franceschelli, a pillar of the children’s book community,” Blackall said. “I think there were many of us who wanted to help but didn’t know how. Fundacja Powszechnego Czytania are doing all the hard work on the ground, and those of us who make books and work with children, who know how comforting a book can be, are eager to help them reach their goals.”

Publishing has always been about making connections and reaching out beyond the bounds of language and nationality. “Action is the antidote to despair,” Joan Baez once famously said, and it’s a philosophy that Deskur and her colleagues endorse. In these distressing times, “We have to take care of each other,” Deskur said.

To donate to help supply books to Ukrainian refugee children and funds to Ukrainian publishers, click here. For more information or to partner with the Foundation, email ukraine-funds@fpc.org.pl.

Winter is melting into spring - With a beautiful picture book by Kazuo Iwamura

While I was on vacation in Hawaii, spring arrived in my valley in southern Oregon. During my absence we had some much needed rain, and so the countryside is finally turning a beautiful soft green. Though fall and winter are my favorite seasons, I always love watching and feeling the changes that take place as we transition from one season to another. 

 Today I bring you a picture book that I found quite charming. The main characters in the narrative are sweet, the artwork is a delight, and the text is touched with beautiful imagery, as you can see from the quote below.

"Tap, tip, tap, trrr . . .

Came the snow-melted water

It sang as it joined into one stream

A nightingale's voice trembled like a dream."

Good-bye Winter! Hello Spring 

Kazuo Iwamura

Picture Book

For ages 5 and up

NorthSouth, 2019, 9780735843455

One morning the squirrel children wake up to discover that the snow of winter has gone. Their father explains that every year “The snow returns to the sky.” Sure enough, in the sky, the children see white puffy clouds. They also notice something else; they hear water dripping and little streams running. As they watch, the little snow that is left on the ground is turning into “a babbling brook.”

   Eager to find out where the water goes, the squirrel children follow its path until they come to stream. A log is floating in the stream and the children climb onto it. The snow melt “sang as it joined into one stream,” and a nightingale added its voice to the music of the wakening forest.    

   The log, with its three little passengers, floated down the stream, which then emptied into a large lake. There the children were, tiny little creatures sitting on their log in the middle of a lake, seemingly all alone.

   In this special picture book Kazuo Iwamura pairs his wonderful illustrations with a rhyming text that captures the magic of the changing seasons. The little squirrel children discover that they are witnessing something that, though it happens every year, is still awe inspiring and beautiful. Some of the lines in the narrative truly lift the spirit with their imagery. 

*

Kazuo Iwamura was born in Tokyo in 1939. He studied at the Tokyo National University of Fine Arts and Music, and started his career as an illustrator for children’s television programs. He is the author and/or illustrator of dozens of popular books. Mr. Iwamura is one of the most famous picture book artists in Japan and his work has won many awards. He lives in Tochigi, where he founded the Museum for Picture Book Illustrations. It stands on a hill named Ehon-no-Oka, which means Picture Book Hill.

Women's History Month - Emma Lazarus, an activist and author of poetry and prose.

In 1883 and American poet called Emma Lazarus wrote a sonnet called The New Colossus. She wrote the poem to raise money for the construction of a pedestal for the Statue of Liberty (Liberty Enlightening the World). In 1903, the poem was cast onto a bronze plaque and mounted inside the pedestal's lower level.

The New Colossus

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land;

Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

"Keep, ancient lands, your storied pomp!" cries she

With silent lips. "Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!"

Below is a a review of a marvelous award wining book that tells the story of Emma Lazarus and her famous poem.

Emma’s Poem: The voice of the Statue of Liberty 

Linda Glaser
Illustrated by Clair A. Nivola 
Nonfiction Poetry Picture Book
For ages 5 to 7
Houghton Mifflin Harcourt, 2013, 978-0544105089
When Emma was little she had a very comfortable life living in a lovely, large home with her mother, father, and siblings. She lacked for nothing, and was able to indulge in her love of books. She had the time to read, and spent many hours writing stories and poems. The people she spent time with came from similarly comfortable backgrounds, and the world of New York’s well-to- do people was the only one she knew.
   Then one day Emma visited Ward’s Island in New York Harbor and there she met immigrants who had travelled across the Atlantic as steerage passengers. They were poor and hungry, and many of them were sick. They had so little and had suffered so much. Like Emma, they were Jews, but unlike her they had been persecuted and driven from their homes. Friends and family members had died, and now here they were in a strange land with no one to assist them.
   Emma was so moved by the plight of the immigrants that she did her best to help them. She taught them English, helped them to get training so that they could get jobs, and she wrote about the problems that such immigrants faced. Women from her background were not supposed to spend time with the poor, and they certainly did not write about them in newspapers, but Emma did.
   Then Emma was invited to write a poem that would be part of a poetry collection. The hope was that the sale of the collection would pay for the pedestal that would one day serve as the base for a new statue that France was giving to America as a gift. The statue was going to be placed in New York Harbor and Emma knew that immigrants, thousands of them, would see the statue of the lady when their ships sailed into the harbor. What would the statue say to the immigrants if she was a real woman? What would she feel if she could see them “arriving hungry and in rags?” In her poem, Emma gave the statue a voice, a voice that welcomed all immigrants to America’s shores.
   In this wonderfully written nonfiction picture book the author uses free verse to tell the story of Emma Lazarus and the poem that she wrote. The poem was inscribed on a bronze plaque that is on the wall in the entryway to the Statue of Liberty’s pedestal. It has been memorized by thousands of people over the years, and has come to represent something that many Americans hold dear.
   At the back of the book readers will find further information about Emma Lazarus and her work. A copy of her famous poem can also be found there.

The plaque inside the statue of liberty

Happy Spring! With a review of Crinkle, Crackle, Crack It's Spring.

 

"In the spring all the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang; in the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed."

-T.H. White from The Sword in the Stone.

Here is a springish book that perfectly captures the magic that the season brings. Even though I reviewed this book some years ago, I remember it very fondly and think that you will enjoy it. 

Crinkle, Crackle, Crack It’s Spring!

Marion Dane Bauer

Illustrated by John Shelley 

Picture Book

For ages 4 to 6

Holiday House, 2015, 978-0823429523

If you are lucky, one cold winter’s night you will be woken up by some strange sounds. You will hear a “rap, bap, tap” followed by a “crunch, scrunch,” and a “crinkle, crackle, crack.”  You will get out of bed to investigate and look out the front door, where you will see mud, melting snow, and a bear. The bear will tell you that “It is time,” and will ask you to “Come with me.”

   As everyone knows, it is not possible to say no to a bear when it invites you to join him, so you will take his paw and go with him.  You will hear the noises again and again as you journey through the woods with the bear, and the words “It is time” will drift around you on the air. You will be joined by a rabbit who also knows that “It is time,” and then by other woodland creatures. Something is happening, something marvelous, but you will have no idea what awaits you in the woods ahead.

   In this magical picture book children will get to take a journey with a bear, and some other animals, to witness a special moment. With beautifully expressive art and a lyrical text, the author and illustrator give their readers a singular story experience. It is one that they will enjoy again and again as they read and reread the book. 

Getting to know Freya Blackwood, author and illustrator

 

Freya Blackwood has been illustrating children’s book for some years now, and I have always been charmed by the characters that she creates, and by the way in which she lays out the pages. The panel above, for example , tells the story in such a creative and unique way. I have studied her work myself to learn more about picture book art direction.

   Here is an interview that Freya recently gave in which she describes her creative process. Below is a review of one of her books. 

The Bike Ride

Jan Ormerod
Illustrated by Freya Blackwood 
Board Book

For ages 3 to 5
Little Hare Books, 2017, 978-1760128982
One day Maudie decides that she needs some exercise and Bear agrees that some fresh air “would be nice.” Maudie then suggests that they go for a bike ride and Bear readily agrees.
   Before they can leave the house Maudie is going to need to find her sunglasses. Then she needs their hats, which takes time to sort out because there are lots of hats to choose from. Next, Maudie gets a scarf.
Each time Maudie goes off to get something Bear patiently waits for her. He understands how it is when a little girl needs to prepare for an outing. Bear is clearly a very good friend.
   Children and their grownups alike will be charmed by this delightful little book. With its whimsical illustrations, its charming characters, its clever story, and its funny ending, this book shows to great effect how a simple story can be a rich one.

Artwork from Freya’s book Harry and Hopper, which won
the Kate Greenaway award in 2010.